Sungkyunkwan Scandal (2010) — episodes nine to fourteen
Well as we tread heavily into episode nine of Sungkyunkwan Scandal (2010), we’re into revenge as Ha In-Soo (Jeon Tae-Soo), our Student President, has been humiliated. So he frames Kim Toon Hee (Park Min Young) for theft. King Jeongjo (Jo Sung-ha) involves himself and gives the identification of the true criminal(s) as the next exam question. This pits the Gang of Four against the rest of the students. So we now get a tedious investigation that’s enlivened by one absurdity and another touching moment. As a team, they realise the record of who passed on the stolen goods to the merchants to fence would be held by the head merchant. They plan to break in. The way it works out, Lee Sun Joon (Park Yoo Chun) is the one who enters the storeroom. He’s spotted and the local law enforcement is summoned. Moon Jae-Sin (Yoo Ah-In) intercepts them in the street and while he’s fighting, Kim Toon Hee disguises herself as a courtesan and enters the storeroom to rescue him. When the guards finally arrive, they find Kim on top of Lee. Embarrassed by what they think is a routine tryst, the guards leave. Seizing the moment, our dynamic duo get over their own embarrassment in their new sex roles and find a stack of highly embarrassing records. When the guards are about to return, Ku Yong-Ha (Song Jong-Ki) persuades Cho Sun (Kim Min Seo) to parade by with her team of courtesans as a distraction. Our duo escape with keys records. This is absurd because, in the space of the fight with the guards and with no prior warning, Kim has to find a dress and make-up, and then find a place to transform herself into a courtesan, classy hair style and all. She then has to get from her changing room, past the guards and to the storeroom. Only in a Korean drama would such a thing be thought possible. The second more affecting moment comes when Moon Jae-Sin talks with the young man who physically removed the goods from the University. He says some pleasing things about the relationship between brothers. So now Lee Sun Joon has seen Kim in the “wrong” dress, he’s even more confused. Poor boy. Anyway, while he’s agonising what to do about his feelings, he must also decide what to do with the evidence they have collected which may incidentally implicate his father.
We’re back into the tedious moralising rut again. The fantasy reformist version of this King has given our foursome a crash course on just how awful life is for the poor, presumably so they’ll become righteous civil servants and protect the people in the future. As Kim puts it to Jung Yak-Yong (Ahn Nae-Sang), the country has been in the hands of men and look what a mess they have made of it. All the bribes have been flowing upwards into the hands of the corrupt nobility and, starved of funds, neither the King nor the people can do anything about it. So now all eyes focus on Lee Sun Joon. What will be do with the sliver of evidence against the nobility? They are the true criminals but how does that help Kim. Indeed, if she cannot save herself, does she deserve to be an “official”?
Ah well, all this is academic because, when it comes to the hearing in front of the King, Lee Sun Joon hands over the book showing the nobles are the real criminals and the young thief comes forward to confess. Isn’t life wonderful when everything comes out right! I now propose to pass over the island episode as terminally embarrassing. It seems Lee Sun Joon is brain dead because despite seeing Kim as a woman, he still seems fixated by the restoration of male attire. Cho Sun is quicker off the mark and takes the heartbreak like a woman of experience should. Similarly the hockey match is painful in all its aspects. The best approach is to see all this as cultural ambivalence in modern Korea about the struggle of a young man to come out as gay. By his own admission, this man has had no friends to date and certainly no sexual experience of any kind. If he now finds himself attracted to a person he has labelled as male, this fills him with guilt and, with nods and winks from Ku Yong-Ha, he has a big decision to make. Should he reject the increasingly tragic Ha Hyo-Eun (Seo Hyo-Lim) who’s throwing herself at him, or live as a friend with Kim?
The only feature which is even vaguely of interest is the plan of Ha Woo-kyu (Lee Jae-Yong), the Minister of War, to capture our Iljimae figure. He’s been paying a skilled swordsman to go round town in the same black outfit, killing merchants and lots of the royal guards. The hope is this will lure out Moon Jae-Sin to defend his reputation of an all-round nice Robin Hood figure. We then get the predictable confusion as the stupid Moon Jae-Sin goes out to confront the imposter only to pick up a wound. When he gets back to the University, our tender flower helps bind the wound. The self-righteous Lee Sun Joon sees what he thinks is an embrace and is naturally jealous. So now we finally get to the scandal in the series title. Based on Lee Sun Joon’s shocked reaction, Kim Toon Hee and Moon Jae-Sin are accused of having a homosexual relationship. Ha In-Soo convenes a special council to try them based on what he believes will be conclusive evidence from Lee Sun Joon. The only way they will beat this charge is by admitting Moon Jae-Sin is the masked Robin Hood — not a bad trap. Incidentally, the identity of the imposter going around doing the killing is fascinating. Otherwise, Sungkyunkwan Scandal continues in a downward spiral of embarrassing awfulness as the screenwriters fail to decide how to deal with the issue of homosexuality.
For the remaining episodes, see Sungkyunkwan Scandal (2010) — thoughts on the first eight episodes and Sungkyunkwan Scandal (2010) — episodes fifteen to end.