Home > TV and anime > Boss: Season 2 or シーズン (2011)

Boss: Season 2 or シーズン (2011)

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Well here we are with Season 2 of Boss シーズン (2011) and we kick off with a flashback showing how the Black Moon terrorist leader escaped, and snipers killed key members of their organisation under arrest. The only minor success was due to Eriko Osawa (Yuki Amami) and her team who saved the Police Chief from assassination. Although the team was distracted by a fake bomb, the Boss pulled the Chief down and saved him from “certain death”. He was merely wounded. But with the Japanese press looking on, this “success” was branded a highly embarrassing failure by the Police so the team was disbanded and Boss returned to America. Having allowed two years to pass, Shinjiro Nodate (Yutaka Takenouchi) decides it’s time to pull the team back together except there are two issues to resolve. As the one perceived to be most at fault, Mami Kimoto (Erika Toda) has been banished to the wilderness and seems reluctant to rejoin the team. Reiko Narahashi (Michiko Kichise) is leaving to get married so someone new has to be found to run the CSI department. As an informal new recruit Rika Kurohara (Riko Narumi), the Police Chief’s slightly wayward daughter and a powerful computer white hat, is drafted in to help the team.

We now have a kind of rerun of episode 4 in the first series. An extremely well-informed criminal kidnaps Mami Kimoto and sets up a slow-motion death scenario. Frankly this is absurd. The kidnapper shoots the victim in the chest but the bullet only slowly moves towards the heart. Yet again, it’s down to the team to work out who the criminal must be and find their team member before she expires. The solution wins a prize as the most contrived so far. I don’t mind an occasional episode where our heroine has a flash of inspiration, gives secret instructions, catches the criminal and then explains exactly how the “trick” was done. But this is in a class of its own. Now don’t get me wrong. It’s actually rather impressive as a piece of plotting. Someone very clever sat down to reverse engineer the capture. But the result is completely divorced from reality. This is like one of the episodes from the original television series of Mission Impossible where the team comes through against the odds to convince the dictator of Mickleagua he’s been abducted by aliens and the only way to get back from the Moon is to spill the beans about his American spy network. Obviously Mami Kimoto survives and is able to look the Boss in the eye and say, “I knew you would find me.” She sobs with relief and pain as the bullet moves one millimetre closer to her heart and hospital staff whisk her away for surgery. The guest star is Yumiko Shaku who rather wickedly sends up Yuki Amami’s mannerisms as the Boss. It’s quite good fun as a mirror image. Also entering the action is Hiroshi Morioka (Nao Omori). He was originally a police officer working with Eriko Osawa and Shinjiro Nodate, but now works in a political capacity. He’s obviously introduced to look suspicious.

The team gathered for a briefing

The team gathered for a briefing

The next episode is equally silly. Well that needs a word of qualification. The psychology of the mastermind is interesting and put together in a clever way, but the process of investigation and the manner in which the evidence of guilt is elicited are unconvincing. Even with our wise-after-the-event approach to revealing how Boss deduced X was the killer, this ranks as pretty pathetic. However, Episode 4 proves to be a good balance between characters and plot. Although the set-up is hopelessly contrived, the emerging relationship between Ikko Furuya and our heroine is first class. This is a really pleasing story of revenge which should have all viewers firmly on the side of the killer and his helpers. Indeed, the way the description of the killer emerges is great fun and the reason they are able to entrap him is a moment of sadness. It wins a prize for ingenuity in the cause of the sympathy vote.

Episode 5 is another example of the Boss deciding she knows who has done it upon their first meeting. The problem therefore is to elicit sufficient evidence. Having watched with my usual concentration, I admit to being completely baffled as to how the team knew where the bodies were buried. Although there are some nice jokes about blogging and how to live a frugal lifestyle, the scientific analysis of soil samples makes no sense. The only triumphant moment comes in a particularly nice irony about one of the victims. The motive for killing her was jealousy of the lifestyle but, in reality, the victim was almost penniless and putting on an act.

Episode 6 is the first sign of life with what looks like a bank robbery. At least one armed man takes hostages and begins to negotiate with the Boss. However, there are shots fired, smoke is suddenly detected and the hostages come running out. When the police enter, one of the hostages is dead but there’s no sign of the robber(s). When the bank counts its cash, no money is missing. This is a genuinely good bait-and-switch story with the chance given to new recruit Sachiko Tadokoro (Kyoko Hasegawa) to earn a little self-confidence both in the job and at home.

Episode 7 is interesting on two levels. First, it gives substantial backstory on all the main characters and explains more precisely why each of the team was selected. Ippei Hanagata (Junpei Mizobata) was completely honest and naive. Keisuke Yamamura (Yoichi Nukumizu) was twice married and addicted to hostesses, but still offered balance to Hanagata’s inexperience. Zenji Iwai (Kendo Kobayashi) was not only gay but also violent, having attacked a senior officer. Except that officer was corrupt and our man was refusing to be involved. Similarly, Takuma Katagiri (Tetsuji Tamayama) was a man adrift who needed a new boss to give him a new sense of self-worth after the shooting incident. The actual plot involves a form of revenge attack on the Team itself and Hanagata in particular. It works because it explains the relationship between the Boss and Shinjiro Nodate, referring back to the Black Moon case in the last series and to earlier incidents in which they came to trust each other and devised secret signals to indicate danger. The actual plot is even more than usually unbelievable.

Keisuke Yamamura (Yoichi Nukumizu) and Takuma Katagiri (Tetsuji Tamayama)

Keisuke Yamamura (Yoichi Nukumizu) and Takuma Katagiri (Tetsuji Tamayama)

Episode 8 is a serial killer who resumes after a five year gap or are the new killings the work of a copy cat? If this was the case, it would have to be someone with inside knowledge. The subplot is rather silly with the Boss sent on a blind date. Episode 9 is a fairly straightforward story as a police procedural. It’s simply a case of catching the known man, but it does manage to hit the right emotional notes with the girl being the pivotal figure and having a relationship both with the killer and, later, with Zenji Iwai who feels he may have a mothering side to him.

Episode 10 starts the end run with the return of Mami Kimoto. She’s been working out-of-sight to identify who was behind the Black Moon two years ago. But before we finally reveal who the mastermind has been from the first series, Takuma Katagiri must finally get up enough courage to propose marriage to the woman he has not been talking with throughout this season. It should be a moment of rare happiness but the potential father-in-law turns out to have aided and abetted two murders. In a straight choice between continuing in his career as a detective and giving it up to marry, he naturally chooses career which leaves him in place to thwart the terrorists plan to assassinate the Prime Minister, assuming that’s what they actually intend. As a plot from the last episode of the first season to the end of the second, this is actually rather good. If the scriptwriters had taken just a little more care to build the narrative arc and then avoided the illogicalities in the final few minutes, I would be cheering. As it is, I was left with a sense of what might have been. There’s too much attempted humour at the expense of the individual members of the team. This distracts from the seriousness of the individual investigations. The series should either have aimed for stronger individual police procedural episodes or made a real effort to produce a series leading up to the big climax at the end with incidental investigations along the way.

For a review of the first season, see Boss.

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