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SuckSeed or Huay Khan Thep (2011)

The conversation with my wife began inauspiciously. I suggested we go see a Thai film. She was immediately up in arms. “I don’t like horror films,” was the first of several minutes of complaint, switching from horror to the Muay Thai films with Ong-Bak beating everyone up in his search for a white elephant. I did my best to remind her of The Iron Ladies or Satree lek and its sequel but, for a while, everything hung in the balance. “A comedy? A coming-of-age film? Out of Thailand?” Incredulity was temporarily her middle name. Eventually, curiosity got the better of her and I duly handed over money. We huddled in the back row, trying to blend in while surrounded by a crowd of youngsters. Fortunately, none of them were interested in adolescent canoodling and, as the lights went down with modesty preserved on all sides, we were into SuckSeed or Huay Khan Thep (the three Thai words translate as “Brilliantly Bad”).

Pachara Chirathivat and Jirayu La-ongmanee consider their options

 

I vividly remember the first two singles released by the Sex Pistols. “Anarchy in the UK” was raw energy. Their version of “God Save the Queen” was hilariously irreverent. Within weeks of their arrival, they had outraged everyone that should have been outraged and amused the rest of us. Naming a band SuckSeed should give you a clue about what this trio of young Thais is all about. Their first single as an entry into a competition for bands is appropriately anthemic. It runs along the lines, “We suck. We’re complete failures. We’re all going down in flames, but we’re going to do it together. Yes, we all suck together. . .” and so on. So what you have to imagine is three youngsters who cannot play properly, thrashing away on guitar, bass and drums while the “singer” shouts himself hoarse. For the live performance in competition, they even arrange for a young boy to run on stage to be sick while a fat boy does potentially obscene things just out of camera shot. By Thai standards, it’s all a bit radical, but it beautifully captures what the film is all about.

 

Here we have two boys. Ped (Jirayu La-ongmanee) is terminally shy, while his best friend Koong (Pachara Chirathivat) has an older and very talented brother. Consequently, Koong never tries seriously to do anything, having already decided he cannot compete with his brother. Nevertheless, in his relationship with Ped, he finds some degree of liberation and is dominant, always organising Ped into yet another activity. In junior school, they are in the same class as Ern (Nattasha Nauljam). Inevitably, Ped loves her from the start but is incapable of doing anything about it. When he discovers she is moving to Bankok, he does his best by recording an attempted song to declare his love but, when he telephones to arrange delivery of the tape, he’s so intimidated by Ern’s father, he claims to be Koong and then puts down the phone. This leads to the predictable confusion at school when the gossip links Ern and Koong.

Nattasha Nauljam demonstrating real flair on the guitar

 

We now leap forward to secondary school. Ern has returned and, from Koong’s point of view, there’s the worst possible development. His brother has proved himself a wonderful rock musician and is fronting a band called Arena. So great is his charisma, he can pull any girl in the school. This finally provokes Koong into direct competition. When he discovers Ern is also a great guitarist, he decides to form a band. Ped is deputed to hold the bass and a boy, enigmatically named Ex (Thawat Pornrattanaprasert) whose flair at basketball is demonstrated when he falls and breaks his arm, is roped in as the drummer. Needless to say, he’s not a great success with one stick lodged in the plaster cast on his arm. But for a moment, with Ern playing lead, they have purpose and don’t sound too awful. Unfortunately, Koong tries to form a relationship with Ern and drives her away — inevitably, she joins Arena — and Ex has the same unhappy experience with his hoped-for girlfriend. Hence, all three boys are total failures when it comes to girls and reflect this in their song which, not surprisingly, propels them into the final of the competition.

Thawat Pornrattanaprasert thinking about becoming a drummer

 

So, first of all, the good things. Without exception, the acting is naturalistic and affecting. All four leads come out of this well. Although it’s a long time ago, I can remember what it was like as a teen trying to summon up the courage to talk with girls. This script focuses on the inevitable conflict as our two heroes fall for the same girl with first-time director, Chayanop Boonprakob using the music well to capture their moods. The convention of having the lead singers from the original recordings turn up on screen to sing to the cast just about avoids overstaying its welcome. One more time and it would have become annoying albeit one or two sequences are actually amusing. Which brings us to the second good thing. Thai humour is laugh-out-loud when it’s allowed to surface. There were times when the cinema erupted — always a good sign. But this hides a problem. There’s great energy in the direction with there even being some quite witty animation to capture one moment. But the whole is too long by about twenty minutes. It actually lasts 136 minutes with the director showing his inexperience by allowing some of the scenes to overrun. It gives the whole a slightly laboured feel. Yes, the jokes and the central triangular relationship between Jirayu La-ongmanee, Pachara Chirathivat and Nattasha Nauljam keep up the interest, but the slow pacing prevents the film from being a complete “success”.

 

SuckSeed or Huay Khan Thep is fun as a coming-of-age film set to a mixture of punk and contemporary Thai rock music. When they set out to try playing and singing, the boys are gloriously bad and celebrate that fact. Even though shy, they make a sustained attempt to break through their inhibitions. Arena, by contrast, are very professional. On a personal note, I was always slightly more quiet which means I’m probably the wrong generation to judge this. It’s a universal truth that, by our own high standards, we all suck as human beings when we’re young. Perhaps I should just go with the flow of the the young audience around me who found it immensely enjoyable. Continuing the positive side, my wife is now recommending it to her friends as the best Thai horror film of all times.

 

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