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Template by Matthew Hughes

Never one to be shy, my Grandmother’s lexicon of bon mots occasionally brought shades of dark violence into the home. As indicated in an earlier post, one of my favourites was, “The things you see when you haven’t got your gun.” She had been brought up in the houses of the well-to-do in Victorian Yorkshire. The Dales were dotted with old colonels who retreated into their smoking rooms or studies to bask under the baleful eyes of all the animals they had shot while serving abroad. No self-respecting officer could ever come home from an overseas posting without a wall full of heads. Yet, in the tradition of fishermen who always tell stories of the one that got away, so officers would tell of the fierce creatures they would have shot had they had the chance. All this came to mind the other day as my wife and I were sitting in the shade outside a local coffeeshop. A young lady walked by. She attracted attention because, in the mid-afternoon sun, her dress was almost completely transparent. She seemed not to care that every eye, male and female alike, followed her confident stride. This was a woman at peace with who she was. With no British colonels around, she was safe.

In fictional worlds, it is a somewhat tired trope that heroes, uncertain of their ancestry, should set out on a quest to determine their identity. A recent example of this is Template by Matthew Hughes who is ploughing the same furrow as Jack Vance with some success. I confess to being a major Vance fan, and a mild fan of the Hughes/Vancean style. The problem with overtly maintaining a style is that, over time, it pales by comparison with the original. Jack is always Jack even when he is past his best, which he was in the last published effort. You forgive an old man these parting gestures because of the oeuvre he leaves behind. He is original to the end. Hughes, however, grows somewhat repetitive. The early works, Fools Errant and Fool Me Twice, are the best because he was so obviously having fun. Now that he is stuck in the groove, I have the sense that he is going through the motions.

So it is with this book. It adopts the peregrination or picaresque model as our somewhat roguish hero travels from one world to the next, observing the local cultures and gleaning information that may lead him to his identity. It would have been better at two-thirds the length. The idea underpinning the narrative is reasonable and the execution competent, but he doth protest too much. The message is tired by the time it is delivered and, despite some pallid satire, there is just not quite enough wit and invention to maintain the suspension of disbelief. I wanted it to be good but I was somewhat disappointed.

For reviews of other books by Matthew Hughes, see:
Costume Not Included
The Damned Busters
Hell to Pay
The Other
Song of the Serpent
Template

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