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The Way of Kings by Brandon Sanderson

Jacket artwork by Michael Whelan

Rather in the same style as one of those old ads for miracle products to rid us of acne or baldness, I think it best to have a before and after picture.

 

Before

 

I suppose the question ought to be what most people feel when they pick up a 1,000 page book. But in these reviews, we never mind the “oughts”. Being a selfish and cantankerous old man, I am only thinking of myself at times like this. I feel intimidated. I know it is not fashionable to admit to physical frailty, but I am not joking when I complain about the weight of books. After holding the damn things for any length of time, wrists do grow tired. In this case, I have decided to cheat, raising my legs on a low stool to take the weight and, with knees carefully adjusted, balancing the tome without stressing the spine in all senses of the word. Now I only have to worry about the other thing. Will a book this length hold my interest? Born and raised on novels clocking in somewhere around the 40,000 to 50,000 word mark, I could easily read one, if not two, in a day. The local library loved me for my fast turnaround. There’s little time to grow bored when you’ve already finished it. But when a book staggers in at three-hundred thousand plus words, it gives you pause. What on earth is this author going to rabbit on about at this length to keep it interesting? Perhaps more importantly, will I still remember who everyone is as I get nearer the end?

 

After

 

Well, this has been a remarkable experience. I am pleased to report that this is completely fascinating. I am reminded of Hal Clement (the pseudonym used by Harry Stubbs). He delighted in world-building to present his readers with puzzles. Probably the best of these is Cycle of Fire in which the local ecology has evolved to cope with major climatic shifts every 65 years. It is like a mystery or detective story in which you see the world through the eyes of the main protagonist and have the same chances of working out the solution. So Brandon Sanderson has developed a highly complex world for us to explore. There are multiple types of life-form, both physical and intangible. The real is described from the grass up, and is very specifically adapted to local climatic conditions. The other forms are hinted at and described. There also appears to be at least one alternate dimension in play.

 

This is a very postmodernist fantasy with a major part of the work devoted to describing the cultures, defining roles by gender and other physical attributes. In this, the most important academic skills are considered appropriate for women in general and certain sects or groups of individuals. Rather in the same way that Name of the Rose by Umberto Eco is built around the abbey’s library, so we are also invited to spend time in the planet’s major library with Shallan and Jasnah as they excavate the past and interrogate the written texts to determine the significance both of what is written directly and as glosses, and of what is not written. Although we are not quite in the same league as Eco in describing a full scholastic methodology as a part of semiotics, we do have a real opportunity to watch two scholars try to interpret the past, using different tools. This may be logic or philosophy as they try to tease out meaning from the content as written and as commented on. In this, they must often try to reconcile stories within stories, separating what may be facts from the fiction. In this note that the title of this novel, The Way of Kings, is a reference to the name of a largely anecdotal work on how to unify and run a kingdom extensively quoted and relied on by characters in the book.

 

The process of archaeology as proposed by Michel Foucault is complicated by the religious character of some of the information. Different sets of powerful people through time try to distort or conceal parts of the discourse. In the main, this is achieved by scapegoating or demonising some earlier or contemporary groups as evil or wrongdoers in both the literal and the religious senses of the words. Religion is often used by those in power to control access to information or to skew the interpretation of past events. This story is a classic example of the problem, signaling its intent by making one of the scholars a well-known atheist. More generally, the novel gives us a perfect opportunity to watch the different individuals access information as visions, and from their oral traditions and written texts. Their interpretations differ according to their cultural backgrounds.

 

That said, the main thematic concern of the novel is the question of honour and it poses the interesting question of whether it is a good in its own right. Altruism has always had a fuzzy feel to it because what is a selfless concern for the welfare of others in the minds of some, is loyalty to abstract concepts like government or a national state in others, or duties and obligation owed to leaders, or self-interest to those who are part of the group that will benefit from the planned activity. In this, we are primarily interested in Kaladin, whose story we work through in direct narrative and flashbacks. This is a man who constantly struggles with who he is and how he should relate to others. His early life training as a surgeon with his father taught him the notion of service to others but, in the real world, such service has not always been welcomed or valued. Similarly, Brightlord Dalinar Kholin struggles with himself as a warrior. What code of honour should he follow in his life and in combat? How much can or should he bend to achieve what he believes to be necessary improvements in the way his local kingdom is set up to run? It is all about ends and means, thinking through whether the journey is more important than the arrival at the intended outcome.

 

At the end, we have everything perfectly set up for the next thrilling installment. All the right people have been moved into position. Even the enigmatic “fool” is on the move as one of the key plotters emerges into the light.

 

I can well understand why it has taken so long to get this book into print. It is a major work of fiction, showing immense narrative skill in balancing “adventure” and “physical conflict” with the more cerebral elements. Although Elantris and Warbreaker are substantial and impressive works, this is has moved one step up the ladder of complexity and interest. If Brandon Sanderson keeps on improving, he could become the premier fantasy writer of the first part of this century. I unreservedly recommend The Way of Kings Book 1 of The Stormlight Archive, even though its use may not put hair on your head or remove unsightly zits.

 

Here are the other books by Brandon Sanderson I have reviewed:
Alcatraz versus The Scrivener’s Bones,
The Emperor’s Soul
The Hero of Ages
The Rithmatist
Warbreaker
Well of Ascension
The Words of Radiance.

For the record, The Way of Kings won the David Gemmell Award for Best Fantasy Novel of 2010.

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