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Thor (2011)

I suppose if you’re going to do an origin story for Thor, you have to start on Asgard just as Batman has to watch his father and mother get shot, and Spiderman has to get bitten by a spider. The problem with this in Thor‘s case is the switching between pure fantasy and the contemporary context for fantastic action. When you have everything in the same continuum, it’s easier to manage continuity of pace, style and tone. Whereas what we actually see are a bunch of actors being almost gods, Norse style, and generally acting like they’re on the greatest CGI set ever developed, followed by some local yokels.

 

At this point we need a few words of clarification. As to the CGI, I think some of the tracking shots on Asgard look faintly comic. That’s not as drawn in a Marvel Comic, you understand, but the main assembly hall/palace — possibly Valhalla — looks like it’s made out of the tubular bits that come as vacuum cleaner spares. Apart from this aberration, the interior scenes work well and create the right atmosphere. Jotunheim is dark, crumbling and forbidding, and the fighting is impressive. As to the acting in the Asgard scenes, it’s hammed up with Anthony Hopkins pretending to the twice the size of his own ego as Odin, while Chris Hemsworth works hard at being arrogant, i.e. he swaggers around and laughs like he’s just eaten several boars and downed ten casks of good Norse ale as a quick snack before lunch. The odd one out in all this acting godlike spree is Tom Hiddleston who plays Loki as if it’s pronounced low key. Although I get that he’s the trickster God who manipulates everyone, he’s remarkably self-effacing in all the early stages, and not much more of a presence when he’s revealed as the evil genius (which is not his fault because, as his private backstory tells us, he’s actually an Ice Giant who never grew to his full potential, being held hostage for Jotunheim’s good behaviour).

Anthony Hopkins showing good teeth but a dodgy eye patch

 

Anyway, forgetting the brief prologue to establish Natalie Portman as an astrophysicist dedicated to chasing phenomena around the desert like she’s just seen a tornado and wants to join in, we start off on Asgard in its full pomp and glory. Odin is about to hand over the throne to Thor. To spoil the day, Loki lets in a Ninja squad of Ice Giants to retake their energy source. When they are caught and killed, Thor, three of his trusty friends, and Loki go on a punishment raid to Jotunheim, prepared to kill all-comers until these Ice Dudes learn not to mess with Asgard (again). There’s a big fight and we get to see just how impressive a weapon Mjolnir is. I kept wanting to say, “That’s some bad hammer, Harry” but found the joke didn’t really work, being relieved from the embarrassing lack of humour when Odin arrived to rescue them all. In fact, Odin’s a bit miffed with Thor for provoking Jotunheim, so strips him of his powers and banishes him to Earth.

Chris Hemsworth and Natalie Portman say tender farewells

 

At this point, the film shudders to a halt.

 

We’re with the mortals now and, boy, do they seen flat by comparison to those strutting Norse gods. Our function is to be second rate, but able to beat the bejesus out of Thor. Poor guy. All those rippling muscles and great pecs, and all someone has to do is use a taser or stab him in the butt with a tranquiliser, and he’s out like a light. It’s humiliating. Ah, so now comes the deep psychology. All the humans think he’s nuts, albeit sometimes in a hot, hunkish kinda way. Mjolnir rejects him and Loki puts on a business suit to fit into the Earth environment and brings the glad tidings that Odin has died and gone to wherever Norse gods go when they die. It’s apparently enough to wear down the spirits of anyone who’s spent a lifetime of privilege wielding a power hammer (or, this is too perfunctory to take seriously). When Loki sends a yellow lantern in a metal suit to kill Thor and his three friends, Thor offers his own life in return for keeping Earth safe. After this, there’s more fighting on Earth and Asgard, Thor volunteers to join SHIELD, and Odin is pleased his boy finally grew up and started taking his responsibilities as heir seriously.

Tom Hiddleston with the lighting to make him look villainous as Loki

 

Here on Earth we use the expression, to shoot your bolt, and this applies beautifully to the first section of the film. As directed by Kenneth Branagh, Thor creates interest and excitement until Odin banishes his son. Thereafter, Thor’s a mortal fish out of water. Natalie Portman manages to look at him adoringly, but has the thankless role of standing by as our monster ego hero stops smiling and learns to talk with a slight frown. The fight in the town is quite good but unimaginative. The suit can beat anything on Earth except the hammer. Once Thor has it, there’s no competition. Frankly, the last fight back on Asgard is also a bit feeble, although it’s good to see Loki actually deploying some trickery against Thor. Nothing matched the escalating first battle on Jotunheim. So the pacing of the narrative is all wrong. It’s a problem inherent in this origin story. Once you commit yourself to explaining why Thor was banished, you have to show something fairly spectacular. After that, the film never recovers its momentum.

 

I wouldn’t go quite as far as saying there are boring bits, but there are certainly passages where the pace drops alarmingly. While I accept this is about Thor’s rite of passage from arrogant child to responsible adult, so not every minute can be hammer time, there were narrative decisions that could have been improved on. In the end, I think it has the same problems as Ang Lee’s origin story for the Hulk, i.e. it’s a bit too cerebral and lacks heart. This is not to say that long-term fans of the Thor we know from Marvel Comics will not enjoy this. But I suspect the market for this film will be more limited than for some of the other superhero films.

 

For my reviews of allied films, see:
The Avengers
Captain America
Iron Man 2
Iron Man 3 (2013)

 

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