Bite Me: Big Easy Nights by Marion G Harmon
Some believe the world should never change. They are comfortable with the now as it is, doubting that innovation can ever really be an improvement. The alternative possibilities are never directly considered. Indeed, the possibility of change is disconcerting to such people and to be avoided wherever possible. In political terms, conservatism is inherently popular, preserving the traditional, maintaining stability, and promoting continuity. Yet, in some areas of human activity, the pace of change is embraced. So technology marketing convinces us that yesterday’s 3.6 was nothing more than a stepping stone to the terrifying power of 4.0 which can all be ours for only a few pounds/dollars more. We’re encouraged to throw away the old, and queue like androids to acquire the next i-prefixed gismo.
Ignoring the local folklore creatures, the modern notion of the vampire stems from The Vampyre by John Polidori. Since 1819, therefore, we’ve essentially been recycling the same trope of beings that feed on blood drawn from living creatures. In most cases, they return from the dead and exhibit other supernatural abilities including transformation into a bat or a mist form. The best exponents can also psychologically dominate their potential victims. So, whenever you see the magic word “vampires” or suitable images on jacket artwork, you know what you’re getting. The only variables are in the language and the way in which the vampirism is described, changing the market focus from forms suitable for children, addressing the teen market, and then delivering different adult plots depending on whether the vampires are straight or gay, self-reflective parasites or predatory killers.
We now come to Bite Me: Big Easy Nights by Marion G Harmon. Because he likes to keep his audience on their toes, this is the third book in the Wearing the Cape series, except it’s really 1.5, fitting between events described in Wearing the Cape and Villains Inc. More importantly, it focuses on Jacky Bouchard aka Artemis, a relatively minor character in the first two books, and gives her a leading role in this intermediate book. Obviously, we’re still in The Post-Event World, i.e. individuals can react to life-threatening events by spontaneously developing breakthrough superpowers. This is relatively rare but, when it occurs, the individual’s new abilities or powers reflect something psychologically important to them. For our immediate purposes, it skews the usual vampire “parenting” trope. In most traditional stories, the existing bloodsucker will descend on the flock, gorge until sated, and then throw the dry husk away. This is the rational predator at work. If a biter uplifts a bitee every time it feeds, that’s a lot of competition emerging onto the meat market. Suddenly, the sheep grow alarmed by their losses and take defensive measures. Worse, the original vampire may have to fight newbies to establish and maintain territorial rights over the flock. Only in rare cases does a vampire intentionally create another. Well, courtesy of Marion G Harmon, we have a different route. If you’re a passionate vampirephile, you can breakthrough into superpowers except, instead of being faster than a speeding bullet, you’re sprouting fangs and suddenly terrified of eating a garlic sauce with your fettuccine.
This is no more disconcerting to society than developing the power to manipulate one of the elements or fly. Any power in the wrong hands can be a danger to those in the immediate area. So, in principle, you can have good and bad superpowered individuals, plus the opportunistic swingers. Our heroine is a good vampire who’s sent to New Orleans to help police the local vampires. State laws prevent them from feeding on humans under the age of eighteen, so age verification at the doors of pubs and clubs used by vampires has to be reliable. Fairly quickly, she realises there’s a more serious problem developing as a vampire may have broken through with the power to create other vampires. Alternatively, a new drug is enabling a small percentage of the users who die to be reborn as vampires. No matter which cause proves correct, the idea there may soon be a plague of vampires is something up with which society will not put. So Jacky, a local police officer with only a semi-controllable hairstyle, a member of the Catholic Inquisition, and a granny with a powerful mojo, take the side of righteousness and set out to save New Orleans, if not the world, from being overrun by an army of powerful predators.
The most pleasing aspect of this book is the rigorous way in which the author explores the new world. For example, who would have thought there could be such significant advantages to a vampire like Jacky when she goes breaking and entering. His analysis of the relative strengths of security systems including motion and heat sensors is great fun. Home security would need a whole new upgrade if vampires were real. The only minor problem is a slight straining of credibility in our heroine’s apparent lack of understanding of the relative strength and weakness of vampires. Speaking hypothetically, if I was suddenly to become a vampire, I would immediately begin a series of tests to discover exactly what my limits were. I would also seek expert advice from as many people as possible. After a few weeks, it would be very difficult to take me by surprise. While working with the Capes, Artemis has had many opportunities to talk with the leading experts in the field. Yet this book shows Jacky still relatively unprepared for taking on her own kind in New Orleans (although she does learn fast).
Bite Me: Big Easy Nights shows Marion G Harmon maturing as an author. This is an assured performance, nicely balancing interesting ideas against the need to propel the plot forward. More importantly, he’s also pushing the vampire trope into slightly less familiar territory. The blend of superhero and supernatural conventions is far more successful here than in the mass of urban fantasy novels which mix different types of being together and let them fight it out. You could read this as a standalone but, as is always the case in a series, it would be a richer experience if you’d read Wearing the Cape. So no more conservatism. Forget 1819. Rapidly accelerate past 1.0 and 2.0 and embrace the terrifying power of 1.5!
A copy of this ebook was sent to me for review and you can buy it on Amazon by clicking here.