Home > Books > Black Wings II: New Tales of Lovecraftian Horror edited by S T Joshi

Black Wings II: New Tales of Lovecraftian Horror edited by S T Joshi

Black Wings II: New Tales of Lovecraftian Horror edited by S T Joshi (PS Pubishing, 2012) sees the second anthology offering stories inspired by H. P. Lovecraft. I’m not convinced this is as good as the first but there are some outstanding stories to be found here (more towards the end than at the beginning).

“When Death Wakes Me To Myself’ by John Shirley is a Charles Dexter Ward type of story in which a mind from the past assumes control of a modern body, the main differences lying in the identity of the mind and the association with cats. It’s nicely done although, to my mind, it’s a little prosaic, lacking a truly cosmic feel. “View” by Tom Fletcher has a delightful sense of humour in describing an estate agent’s tour of a house for sale. With a little effort required of those viewing, they are rewarded by an exploration of a rather unusual extension. “Houndwife” by Caitlin R Kiernan is a richly evocative prose piece of temporal discontinuities as a woman iterates towards a destiny mapped out for her. She may have hints of the future courtesy of a tarot reading, or she may be the one who, in a thousand year cycle, finds a rather different role for herself as a human woman. Is this reincarnation and memories of previous lives, or are these discontinuities in memory from a single life moving inexorably to a climax? “King of Cat Swamp” by Jonathan Thomas gives a perfect demonstration of how the inexorability of the conclusion fires the tension. This is a beautifully judged piece of writing, not overstaying its welcome as the King returns to reclaim his home. “Dead Media” by Nick Mamatas is slightly flat being one of these trail-of-breadcrumbs type stories in which the curious end up in the wrong place. “The Abject” by Richard Gavin picks up the pace as human and alien tragedy overlap during an eclipse so that both get what they need to make their existences endurable. The atmosphere of this particular location is wonderfully described. If it exists, I would like to visit before I die or, perhaps that should be, so I can die happy.

S T Joshi — the ultimate Lovecraft expert

“Dahlias” by Melanie Tem is one of these unexpected stories which capture the imagination in a few words as different generations briefly share a moment and consider their own mortality. “Bloom” by John Langan is simply marvellous. The couple find a cooler sitting openly on the road and, thinking it might contain an organ needed for an urgent transplant operation, take it home and begin telephoning around the local hospitals. Only when all their avenues of inquiry come to naught does the notion take root that they have found something rather different. And, of course, after the rooting, comes growth and the blooms. As slow-burners go, this is one of the best. “And the Sea Gave Up the Dead” by Jason C Eckhardt is a not very original retelling of the usual island emerging from the sea. “Casting Call” by Don Webb shows the mark of a true professional is to stay calm no matter what’s going on around you. In this case, an actor who takes the Stanislavski method to its logical conclusion just fails to make the cut when Rod Serling holds a casting session for an adaptation of Pickman’s Model. It’s a pleasing riff on an old theme.

“The Clockwork King, the Queen of Glass, and the Man With the Hundred Knives” by Darrell Schweitzer is a remarkably good story — the best in the book by my standards — but I’m not convinced it’s even vaguely Lovecraftian. It’s clearly about access to different dimensions where battles for supremacy are fought, but anything else is all lies and speculation. Similarly, “The Other Man” by Nicholas Royle is fascinatingly spooky take on surrogacy, but the links to Lovecraft are tenuous at best. “Waiting at the Crossroads Motel” by Steve Rasnic Tem has the same problem if we’re going to be strict about looking for cosmic weirdness. It’s another engrossing story about the blending of humans and otherness with possible connections to themes raised in “The Mound”. Had I read it anywhere else, I would have been overjoyed. In this context, I’m not so sure. “The Wilcox Remainder” by Brian Evenson is thematically back on track with a very haunting story of an amulet that not only brings dreams but also judges the current person in possession. “Sorrelated Discontents” by Rick Dakan has that remarkable quality of a mistake in the typesetting of the title. It should, of course, be “Correlated Discontents” (as an aside, I noticed two or three other errors that escaped the proofreading stage but this is the first time I can ever remember seeing an error on the title of a short story). The story itself is metafictional in the recreation of Lovecraft, the man, through an AI project, capturing his personality and opinions through an analysis of the extensive collection of correspondence. The inclusion of the story bravely breaks with tradition and is a success. “The Skinless Face” by Donald Tyson wins the prize for the best final sentence. There’s a tradition in writing these stories that there should be something dramatic imparted by the end words. It does not need to be a “twist” but it should shed a different light on what has gone before. This archaeological dig gone spectacularly wrong is outstanding. “The History of a Letter” by Jason V Brock is a metafictional and intertextual contribution in which the author addresses us directly, explaining why he’s been distracted from writing the commissioned short story. The letter he has found is indeed intriguing and the consequences of his investigation seem to be advancing rapidly. Finally, “Appointed” by Chet Williamson is merely intertextual, finding parallels between a previous film and a con where fans can come and hobnob with the stars.

For a review of the other anthologies in this series, see:
Black Wings: Tales of Lovecraftian Horror
Black Wings III: New Tales of Lovecraftian Horror.

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