Home > Film > A World Without Thieves or Tian xia wu zei or 天下无贼 (2004)

A World Without Thieves or Tian xia wu zei or 天下无贼 (2004)

A_World_Without_Thieves

A World Without Thieves or Tian xia wu zei or 天下无贼 (2004) turns out to be a wonderfully engaging film both as a vaguely thrillerish adventure story and as a meditation on what motivates people to act in a good way when the bad way is often easier. Pausing for a moment to think about Buddhism, the underlying theme of the belief system is that many suffer dukkha which usually arises out of ignorance. But once you accept it’s possible to escape this condition, the path becomes clear. So imagine Sha Gen (Baoqiang Wang), a young orphaned boy, who begins to learn the local trade of being a carpenter. When he’s old enough, he’s sent off to work in a crew maintaining one of the Buddhist temples in Tibet. While there, he leads a solitary life. He obviously knows the older men in the crew, but he’s actually more friendly with the wolves who live in the surrounding hills (heavy metaphorical hint in this when it’s shown on screen). Cut off from the wider world from birth, he has no understanding of human nature. So when he decides he’s of an age to return to his village, to marry and raise a family, he sees no danger or threat in drawing all his accumulated pay and boarding a train to return home. You should understand this man is not mentally incompetent. We’re using the word “ignorant” in its least pejorative sense. In his innocence, he trusts everyone he meets, i.e. he does not believe the world is full of thieves, all of whom will steal his money without hesitating.

Rene Liu and Andy Lau as an unlikely force for good

Rene Liu and Andy Lau as an unlikely force for good

 

As is always required, the first person from the outside world he meets is Wang Li (Rene Liu). She’s half a steadily performing criminal duo with Wang Bo (Andy Lau). But, after an argument, they’ve briefly separated leaving the opportunity for an encounter between the two souls from opposite ends of the Buddhist scale. She’s been praying at the Buddhist monastery and needs a lift into town. Sha Gen has a pillion just made for a passenger. In this fateful moment, the future dynamic is established. Wang Li adopts him as her little brother and will tolerate no interference with the package of money he leaves so openly in his satchel. Unable to defend him round the clock, Wang Bo must be tempted down from his criminal mountain and accept the role of protector. Under normal circumstances, this would never last, but it so happens that Uncle Bill (Ge You) has a team of seasoned professional thieves on the same train. At first, the femme fatale, Xiao Ye (Bingbing Li) tries to steal the money. When she fails, Number Two (Yong You) and Four Eyes (Ka Tung Lam) try and fail. This becomes an annoyance to Uncle Bill. He would prefer to let the train journey pass off without incident but more open competition emerges with Sha Gen’s money the pretext. This means there are suddenly larger stakes to play for.

Ge You and Bingbing Li as the opposing couple

Ge You and Bingbing Li as the opposing couple

 

All this is happening under the watchful eye of a plainclothes police officer, Han (Hanyu Zhang). He has a squad on the train and is intent on catching everyone who deserves to be caught. This places him in something of a dilemma because it’s obvious that Wang Bo and Wang Li are protecting Sha Gen. It baffles him that such committed criminals should suddenly turn over any other kind of leaf so, rather than step in at an early stage, he sits back to watch how the drama turns out. In many ways this is bad because the competition escalates and the animosity grows more heated as Uncle Bill’s crew fail to steal the money. We should be clear about the motives here. Although Wang Li has not suddenly “seen the light”, she has decided she would prefer to stop being a criminal for now. Wang Bo is prepared to go along with this because he’s enjoying the technical nature of the competition. He’s immensely skillful and applying those skills in defence proves satisfying. It’s only at the end that a real choice has to be made. You should watch the film to see whether you think the outcome “feels” right. On balance, I think the ending has everyone get their just deserts or, if we adopt the Buddhist terminology, that everyone finds their own personal way. Some will forever be limited in their outlook on life. Early choices have locked them into situations from which there’s little chance of escape. Others see the world more clearly and recognise when choices can make a difference. In this, of course, we should recognise that not all paths lead to enlightenment, and that ignorance or its absence can take several forms. At this point I could make all kinds of allusions to scorpions and large felines who are never supposed to change their essential nature. But they are incapable of independent thought. With their intelligence (and the help of Buddha) humans can make wise decisions if the circumstances are right. Overall, A World Without Thieves or Tian xia wu zei or 天下无贼 is both intellectually and emotionally satisfying. I recommend it.

 

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  1. March 23, 2014 at 1:55 am
  2. March 23, 2014 at 1:55 am

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