Iron Man 3 (2013)
Summer is a-comin in, so loudly let off a few explosions as the first of this season’s superhero movies hits the cinemas with main force. Up to the end of 2011, there was a certain mechanical efficiency about the more recent adaptations of comic book characters or toys to the big screen. We would go through an introductory set-up and then would come the set-piece inserts. There are almost always car chases, guns are produced and manage to fire prodigious amounts of ammunition without having to pause for reloading, and there are increasingly loud explosions. This is great for those who have hearing difficulty because the fillings in their teeth vibrate to indicate just how loud some of these explosions are when replayed through the new generation of sound systems that pack decibels into the darkness of the auditorium. So, for example, conventional technology excitement comes with the Fast & Furious series, and science fiction gets its thrills from Transformers. This is not to deny these films deliver what we might call spectacle. Some of the special effects generated using CGI are remarkable to behold on a large screen. But as a generalisation, these are soulless vehicles. There are actors standing in front of green screens and in real locations, but their function is to explain the plot and justify the action. The scripts come with very little sparkle or individuality. Thanks to the focus group mentality of the larger studios, everything is aimed at the common denominator core of components that can be built into this season’s blockbuster success. For a while, this brought a steady stream of highly successful films in terms of box office takings. They were less successful in the eyes of those who prefer something slightly more idiosyncratic.
In the first outing, Tony Stark (Robert Downey Jr.) saw the light and decided his company should not be the largest arms manufacturer in the world. Technology should be used for more positive purposes. He therefore has to battle for his soul by fighting the older man running the company alongside him. As films go, it’s a little on the worthy side with our heroic actor allowed one or two moments of egocentric wit to show us he’s cut from a different cloth. Interestingly, Pepper Potts (Gwyneth Paltrow) is also played relatively straight as the “love interest”. When we come to the second film, we’ve cleaned house and now face a business competitor who thinks he can get an edge by recruiting foreign talent. I found the relationship between Stark and Potts to be annoying and the fight at the end was overly long and repetitive, but it was still reasonably watchable.
In part thanks to the return of Shane Black to directing and joint scriptwriting, Iron Man 3 proves to be something of a revelation. This picks up after The Avengers where the alien invaders met their Waterloo. Now we’re back to more parochial affairs with the arrival of The Mandarin (Ben Kingsley), a fiendish terrorist who’s out to bring down the US with an escalating sequence of attacks. Also lurking in the undergrowth is Aldrich Killian (Guy Pearce) who’s been anonymously promoting his ideas through a think tank of increasing importance to the US government. Finally, we have the return of James Rhodes (Don Cheadle) who is Stark’s suit buddy.
I think the most important observation I can make about this film is how little time Stark spends in one of his suits. Indeed, in part, his latest technological developments have made him somewhat redundant. This frees the actor from having a fixed expression on his visor and lets the man behind the suit carry the action. The result is a more normal relationship with Pepper Pott and a rather pleasing relationship with Harley (Ty Simpkins), a young boy who may have some of Stark’s skills given only a monkey wrench and some high-sugar sweets to keep him hyper. Whatever it is he’s got, the broken suit seems to get repaired while in his possession. When it comes to the fight at the end, we also avoid the suit-on-suit battering contest which always grows tedious quickly and has a fight against humans with added firepower. Noticing the plant in the early scenes doesn’t quite prepare you for the extract applied to people. It’s a delightful fantasy touch.
I’m not sure everyone will understand all the humour. As a Brit, I found Ben Kingsley’s performance one of the best pieces of self-mockery I’ve seen in years. The accent and attitude when off-camera are wonderfully revealing if you understand British accents. Taken overall, this is one of the most amusing superhero films of recent years and, despite the presence of a callow youth in a key role, it manages to avoid all hints of sentimentality. This is a story about people and the suits are just tools. Indeed, they prove to be disposable tools when a choice has to be made between making the relationship with Pepper Pott work and making the machines work. Throughout, it’s Robert Downey Jr. who keeps the film moving. He remains one of the most charismatic and watchable people on screen. Separating him from the suit was one of the most intelligent decisions taken by the Marvel studio. I remember it happening in the animated series The Avengers: Earth’s Mightiest Heroes, episode 125 when the Avengers team are transported to the nine Realms of Asgard and Stark loses his suit. Surviving until he can find the resources to build another using uru-armour was much more interesting. A human struggling without the aid of technology is something that can give us all a greater vicarious thrill. So it is that I crown Iron Man 3 as clearly the best of the three in this series so far, and a difficult film for all the other blockbusters to beat later in the 2013 season.