The Secret of Abdu El Yezdi by Mark Hodder
There’s real skill required to write a series. Far more than most people realise. Let’s say the author has signed a three-book deal. That ties him or her to the agreed formula which, in most cases, will be both a group of characters and a particular setting. So, for example, Miss Marple lives in St Mary Mead and, although she’s wont to travel around a little, the basis of her investigative style is drawn from her observation of life in the village. That way, even when she’s on holiday in the West Indies, she can remember what the butcher did to the baker’s assistant that so upset the candlestick maker. In other words, there’s a core magic formula that, after the first few books, turned the remainder into must-haves for the loyal fans. To depart from this formula is to lose the fans. But to do nothing more than repeat the formula will also lose the fans through boredom. There has to be development to keep the core ideas interesting. Hence even Miss Marple must go on holiday.
So, after a highly successful opening set of three, we’re back with The Secret of Abdu El Yezdi by Mark Hodder (Pyr, 2013) which is the first in a new three-book deal featuring Sir Richard Burton and Algernon Charles Swinburne in a steampunk version of Victorian England which, appropriately enough, began with the assassination of Queen Victoria. If you’re proposing to derail readers into an alternate history, killing off the titular queen for the age is the best possible starting point. The magic of the first book lies in its exuberance. There’s not a page goes by without some new idea or sly joke. As debut novels go, The Strange Affair of Spring Heeled Jack is one of the best. However, in this moment of heady success, there’s a problem. Once you’ve described the setting and cracked all your best jokes, you have to find something new to write about. Fortunately, the plot of The Curious Case of the Clockwork Man is terrific and kept everything moving along nicely even though the repetition of some of the jokes was wearing very thin towards the end. This led us into Expedition to the Mountains of the Moon which opened the door into some very interesting and more serious possibilities. As I said during that review, “. . .an inventive mind could devise a way into a different future. It will be interesting to see whether Pyr offers us the chance to see it unfold.” So my thanks to Pyr for renewing the book deal. This proves to be a particularly ingenious way of developing the plot.
Notice my reference to the plot. All the humour that characterised the first in the series has gone. This is altogether darker with the death of an important character, albeit not one we see too often. We’re nevertheless aware of this individual’s significance throughout. The key to understanding just how ingenious the plot lies in the need for all time travel books to follow strict logic. With the death of Queen Victoria in the first novel being caused by a time traveller, we’ve been following the cause and effect of the different changes in history as they occur. At the end of the last book, the situation had grown more complex as a new player entered the game and tried to destabilise the new version of history. With that threat defeated, Burton was left. . . Well that always was the question. Just where was Burton left?
At this point, I’m going to get a little vague because I don’t want to spoil your enjoyment of this book. I emphasise that this is a direct continuation of the last trilogy and, although you might enjoy this as a standalone, you will not appreciate just how good it is unless you’ve read the other three in order. This is a serial, not a series of standalones in the same place with the same characters. This time, we’re into Bram Stoker land (appropriately young Bram is a character) with the arrival of a vampire-like force by sea. This time, the ship crashes on to the rocks of Anglesey during a terrible storm with the captain lashed to the wheel and all the crew and passengers (bar one, of course) dead on arrival. This gives us a broad supernatural framework on which to build our multiverse plot. Yes, that’s right. All the messing around in time has been multiplying the branches except there’s one common feature. Sooner or later, there’s a major war. Those of you with some grasp of history will recall our First World War occupied the years 1914 to 1918. In different timelines, this conflict comes at different times but it always happens. However, in this timeline, under the guidance of Abdu El Yezdi, the British have been moving towards a political rapprochement with Germany, therefore making war less inevitable. So the big questions for Burton are to identify Abdu El Yezdi, to explain how he has been giving such good advice, and to find him — sadly this fount of wisdom has stopped transmitting thereby leaving the British government up a creek wondering where their paddle has gone.
We still have some of the steampunk but most of the more extravagant technological innovation has gone in this timeline. There’s also slightly less political discussion, leaving more time for this rather pleasing blend of Victorian/Edwardian style adventure to be updated for modern sensibilities. Putting all this together, The Secret of Abdu El Yezdi is a wonderful continuation of the earlier trilogy, i.e. you really should have read the others in order before coming to this.
Once again the jacket artwork by Jon Sullivan is magnificent.
For reviews of the other four books, see:
The Strange Affair of Spring Heeled Jack
The Curious Case of the Clockwork Man
The Expedition to the Mountains of the Moon
The Return of the Discontinued Man
There are also two standalones called:
A Red Sun Also Rises
Sexton Blake and the Silent Thunder Caper.
And for those who enjoy a little nostalgia, the website run by Mark Hodder celebrating Sexton Blake is worth a visit.
A copy of this book was sent to me for review.