Diary of a Dragon by Tad Williams
Value is one of these rather annoying words where meaning can change quite significantly depending on the context in which it’s used. If we start off in personal terms, we may have moral or ethical values as the basis for deciding whether to do or refrain from doing anything, i.e. they represent a set of preferences against which we judge whether we should act. However, these values may take on a more imperative nature if they are shared by the majority of people in our community. Indeed Kant argues that if the given moral value is recognised as valid and applied by the majority, it becomes an obligation. If social enforcement is insufficient to ensure compliance, law-makers can enshrine the value in laws and use punishment as the means of enforcement or award compensation to those who are damaged by noncompliance. But if we move into economics, we begin to talk about measuring value by reference to a currency or equivalent medium of exchange, i.e. there is assumed to be a link between value and the price people are prepared to pay for the goods or services.
Applying this, I might well see aesthetic value in a work of art that few others might see. If there was little or no demand, I might acquire the object of subjective value for a small monetary payment. But if the majority see intangible value in the goods or services, they will pay more to acquire it. Going back through my collecting years, I think the smallest book I bought new was Ringtime by Thomas M Disch. It was published by Toothpaste Press and cost $35 in 1983 for 40 pages, signed and limited to 100 copies. In my defence, I was collecting Disch and it was a rather beautiful production. All of which brings me to Diary of a Dragon by Tad Williams (Subterranean Press, 2013). It sells as an ebook for $3.99. As a paperback chapbook limited to 750 copies, it sells for $15. It has 64 pages with the cover and extensive interior illustrations by William Eakin. But don’t let the advertised number of pages deceive you. This is a short story, spread out over the pages with a “nice” piece of design.
So here comes your decision. As short stories featuring a dragon and a princess go, this is elegant and quite witty. The artwork genuinely contributes to the aesthetic value of the production. Indeed, the final sepia panel completes the story in a way words would struggle to match. In other words, this is worth reading and seeing as artistic content. But when we come to economic value, I find myself in trouble. When I bought the limited Toothpaste edition, I realized it was a calculated gamble as to whether it would hold its value. Looking it up on Abebooks, I see a fine copy offered at $350. I’m not convinced it will sell for anything like that (less than $100 is more likely), but you get the idea that it has more than kept its economic value. I don’t believe a paperback chapbook selling for $15 will hold its value. Since I don’t own a Kindle or Nook, I can’t say whether many will buy this at $3.99. But what I can say is that electronic versions cannot be resold, so there’s no residual value. I therefore arrive at the conclusion that only the diehard collectors will buy this slight piece and not worry about the economic cost. For them, just owning it will be value enough.
For a review of another book by Tad Williams, see The Dirty Streets of Heaven.
A copy of this book was sent to me for review.