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The Lost Fleet: Beyond the Frontier: Dreadnaught by Jack Campbell

The Lost Fleet Beyond the Frontier Dreadnaught by Jack Campbell

The Lost Fleet: Beyond the Frontier: Dreadnaught by Jack Campbell (pseudonym of John G Hemry) (Ace, 2011) sees me going back in time to satisfy my curiosity. I was intrigued rather than impressed by the meticulous way in which The Lost Stars: Tarnished Knight was put together. Although the political situation as described was rather laboured, the military SF element was pleasing. It therefore seemed a good idea to go back a couple of books to look at the story from the main protagonist’s point of view. Black Jack was part of the practical mythology that informed the activities of the ex-Syndic world. Why not see how and why he had made such a name for himself?

The basic premise is not in any sense original. It assumes an individual from one culture can have a massive impact when he or she is transplanted into a different culture. Simply the fact of difference is enough to raise the hackles in the new culture. There’s always been deep suspicion of strangers. If they are also “foreigners” this doubles the paranoia that their very presence will change the world, and not for the better. This particular variation has a military leader who was “frozen” when his exploits had made him famous. Politicians over the decades then found it convenient to refer back to this man as having been a leader in their culture’s “golden age”. They mused how tragic his “death” had been. If only. . . and then his body is discovered and he’s reanimated. This is, of course, deeply embarrassing to the generations of politicians who have lauded his name. It gets worse when he’s able to start winning battles again. I’m coming into the story just after Black Jack has beaten the Syndic fleet and brought peace to this part of the galaxy. The man’s status as a hero is now undeniable. So what are the politicians to do with him?

Jack Campbell (John G Hemry)

Jack Campbell (John G Hemry)

They could arrest him, but what would the charges be and would the people tolerate a trial for the man who has ended the civil war? They could quietly arrange for him to meet an accident. If he “died” before, he could do so again and save all the corrupt from having to account to this man of honour. Yes, he’s the epitome of everything good about the military. Willing to serve but scrupulous both when it comes to accounting for his own actions and holding others accountable when they fall short of his high standards. People in power would be lining up to pay for his assassination so they could weep crocodile tears at his funeral and berate fate that had snatched the hero away. . . his legacy would not be forgotten, it would become an inspiration to all. . . and so on.

So we open as Black Jack and his new wife are on their way to rejoining the fleet after their short honeymoon. They are not sure what they will find but are convinced it will be dangerous. Indeed, their arrival coincides with an attempt to break the unity of the fleet. This is political suicide, because if unified command ceased to function, ships returning to their own sets of home planets might produce a balkanisation of human space, each warlord claiming sovereignty by virtue of local military power. To avoid this, the fleet is to be sent off to investigate the strength of the aliens in the adjacent part of the galaxy. This plays to the old political ploy that, if you can’t frighten your people with the threat of humans on the other side of a civil war, you threaten them with aliens at the gates. Despite various attempts to sabotage the mission, a strong fleet does set off and is soon in what used to be Syndic space.

Of course, this is no more safe than alien-controlled space. The fact peace might have been imposed does not mean old resentments have been resolved. Thus begins a significantly more interesting journey through local politics. Here’s our hero, a man with the reputation for righteousness and honour, suddenly forced to begin dealing with people who have little or no interest in compromise or even considering what might, objectively, be the right thing to do. It’s back to the good old days of dog-eat-dog power-broking with selfishness uppermost. And this is not just in Syndic governments. It also affects the operation of the fleet itself, particularly when it liberates some prisoners whose view of how the world should operate is very “different”.

At some point, the fleet crosses over into alien space and there’s some fascinating world building on the nature of their culture. This is a very brave attempt to formulate something inexplicable by our standards and, to a considerable extent, this part of the book is a success. I can’t recall anything quite like this in any other media: books, television, cinema, anime, etc. In part, this reflects the essential paradox in what the humans “see” and a real part of the fun is in listening to their attempts to understand it. Indeed, the strength of the paradox lies in reasons for the “first contact” which suggests I have not gone back quite far enough in the series. Perhaps, I should have read the book earlier than this.

That said, the slightly convoluted title The Lost Fleet: Beyond the Frontier: Dreadnaught delivers a thoughtful book on the politics of war and the management of the subsequent peace. What to do with standing armies has always been a headache. And I find myself recommending this to the broader SF community. This is not just military SF. Braces for strong reaction from ghetto fans. It’s better than that! Indeed, committed military SF fans may think the first half of the book has too much talk and not enough fighting.

For review of other books by “Jack Campbell”, see:
The Last Full Measure
The Lost Fleet: Beyond the Frontier: Steadfast
The Lost Stars: Tarnished Knight

A copy of this book was sent to me for review.

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