Rooftop Prince or Oktab Bang Wangseja or 옥탑방 왕세자 (2012) — the set-up
This discusses the plot so if you have not seen this series, it may be better to delay reading this.
Well here we go with Rooftop Prince or Oktab Bang Wangseja or 옥탑방 왕세자 (2012). With some trepidation, I’ve decided to start watching another Korean time-travel drama (not Queen In-hyun’s Man or Hyeon-wanghu-ui Namja (2012) which is more seriously romantic). After Dr Jin, we’re reversing the process and instead of some metaphorical Connecticut Yankee turning up at King Arthur’s court, we’ve got some Josean bright sparks brought forward to modern Korea with predictable opportunities for mocking their complete inability to understand what’s going on. The set-up requires us to establish two parallel situations, peopled by the same cast of characters three-hundred years apart. So first of all, we’re back in the past with Crown Prince Lee Kak (Micky Yoochun) stirring in his sleep. He knows in his bones something really bad in going to happen and, moments later, a flunky comes waddling down the corridor (he may be walking funny because he’s a eunuch) to announce the body of his wife has been found floating in a nearby pool. Yes, the Crown Princess Hwa-Yong (Jung Yoo-Mi) is a goner and now he’s all in a lather to find out whodunnit. This is all dramatic stuff. Now the flashback to show the process of marrying off the young Crown Prince which involves introducing the rivalry between two sisters. Their father prefers to submit the name of the younger Boo-Yong (Han Ji-Min) because she’s more age appropriate. Naturally, the older one finds a way to scar the face of the younger, so she gets to marry the prince. This leaves the disappointed sister masked and in the background, but the Crown Price does notice she’s more intelligent than the shallow sister he married.
In modern Korea, we have two step sisters whose ages match the earlier versions. Se-Na (also played by Jung Yoo-Mi) the older deeply resents the arrival of the younger and goes out of her way to dispose of her “rival” for her mother’s affection. Now the clock winds forward and we have Yong Tae-Yong, a modern version of the Crown Prince (also played by Micky Yoochun) eyeing a version of his sister-in-law now called Park Ha (and also played by Han Ji-Min). This is “engineered” by the device of an embroidered butterfly leaving the work “she” did in Joean time, travelling forward and landing on her shoulder while she’s selling fruit at an open market in New York. We can skip over the embarrassing attempt to fit our heroine into the American setting. Anyway the plot is that Yong Tae-Yong is heir to a Korean fortune and inline to take over the running of the family business. Yong Tae-Moo (Lee Tae-Sung) his cousin, was sent to America to persuade him to return, but they end up fighting while in the harbour. One swift and unexpected punch sends our hero into the water where he starts to sink, lost without a hope of rescue. The evil cousin wipes all his prints off the boat and swims to shore. When he returns to Korea, he reports a complete failure to find his cousin. That puts him inline to succeed to the fortune.
When our heroine returns to Korea, expecting to find her long-lost father, she discovers he’s just died. Obviously a lot is happening between these flashbacks. For Park Ha it seems there was a traffic accident, long hospital stay, loss of memory, that type of thing. Which is a good thing when the stepsisters meet at the funeral — at least I assume she’s telling the truth and doesn’t know how she came to be lost. Meanwhile back in Josean times, the court officials cover up the murder as an accidental death. To get round the problem, the Crown Prince puts together a top undercover team to find out the truth. This is Song Man-Bo (Lee Min-Ho), Do Chi-San (Choi Woo-Sik), and Woo Yong-Sool (Jung Suk-Won) a bodyguard, a “savant” and a eunuch with hidden talents. They are making real progress, eliciting evidence of poisoning by arsenic, when they are called to a night meeting. It’s a trap. As they try to escape, there’s an eclipse powerful enough to send them into the future. They had strong eclipses back them! What makes this an appallingly lazy piece of writing is that the four have been separated in the fighting, but all four travel together and end up in the same place in the future. Three of those are on horseback, but no horses appear in the future. The probable explanation is that all four were killed, but have been reincarnated as their future selves.
Before they arrive, two years more have passed in the future (I hope you’re following this). The good, younger daughter from America has fitted back in with the step mother and they are selling fruit and vegetables in the market, while the older one is into spending the family’s money on fashion to give herself the right appearance while swanning around with the evil cousin. When our modern heroine goes to her apartment, it’s on the top floor (not surprisingly, there’s a rooftop patio area with potted plants).
Well I’m relieved we have this first episode out of the way. I can almost tell the series is not going to be worth watching because we have temporal slippage thanks to an eclipse with older characters having parallel lives in modern times, i.e. it’s a fantasy fairy story with none of the rigour that’s supposed to accompany time travel. All I can hope for is that the humour of our four characters acting like fish out of water will strike a rich seam of comedy to carry us through a few episodes.
For a brief consideration of what happens next, see:
Rooftop Prince or Oktab Bang Wangseja or 옥탑방 왕세자 (2012) Episode 2 and Rooftop Prince or Oktab Bang Wangseja or 옥탑방 왕세자 (2012) final thoughts.