Home > TV and anime > Galileo 2 or ガリレオ (第2期) (2013) episodes 7, 8 and 9

Galileo 2 or ガリレオ (第2期) (2013) episodes 7, 8 and 9

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Continuing with Galileo 2 or ガリレオ (第2期) (2013), episode 7 breaks the mould by having Professor Manabu Yukawa (Masaharu Fukuyama) aka Galileo front-and-centre from start-to-finish. The role for Misa Kishitani (Yuriko Yoshitaka), the new detective, is limited to sitting in his lab to bully his students into translating his receipts for expenses into the type of language the police accounts department can understand. While waiting for them to do the work, she tries to assemble the model of a Tyrannosaurus Rex sent by the detective despatched for further training to America. Needless to say, this does not please the scientist when he sees her at work using a remote camera system. Anyway, on his way back from a conference with Hiromi Kuribayashi (Ikkei Watanabe), his assistant, and one of his students, he’s diverted to consider whether it’s possible to view the inside of a tomb when the opening has been concreted over. There’s a complicated story about a local mythological animal that may have been trying to steal the body from the tomb and the priest sealed it up to prevent this from happening. The priest then died and his skeleton was picked clean by local birds and predators. Anticipating the difficulties, the student has brought along a high-powered portable drill to get through the concrete and a camera to poke through the hole to view inside the tomb. They are able to establish the body is missing.

The monster signs his name above his victim

The monster signs his name above his victim

 

Meanwhile, what looks like a double murder takes place in the village and the name of the mythological beast is written on the wall. The front door of the house was locked and all the windows were locked from the inside with the shotgun used to kill the man outside the house on the grass at the back. The inexperienced local policeman hypothesises the beast used the gun and then walked through the wall, dropping the gun as he retreated into the woods. The professor is particularly interested in the rocking chair in which the dead man is found and the wet umbrella by the front door. The result is an elegant mystery to unravel and a quite sophisticated moral judgement at the end. It actually makes quite a pleasant change to see the professor in the real wold without having the spiky new detective by his side to provoke him. Although he’s still essentially disinterested, he shows some ability to judge the emotional qualities of those around him. He does listen to people and, to some extent, empathise with them.

 

Episode 8 has a slightly different form of impossible crime. It’s the unbreakable alibi but multiplied by two. The most obvious suspect is miles away in the presence of a colleague when, in sequence, they both receive a telephone call from the victim but neither results in actual words exchanged. When they go to his apartment, they find him dead with a knife through the heart. So the first part of the alibi is working out how the suspect might have arranged for the two calls to be made after the death of the victim. Once that is clear, the police further examine the phone and find a photograph stored in the phone’s memory. It was taken at about the time of the murder, but the only place from such a picture could have been taken was some miles from the scene of the murder. For once, I got the answer to this in principle although the detail of the execution eluded me. This is two interesting ideas padded out to fill time available. The result lacks pace, repeating itself a couple of times and distracting itself with a few fireworks.

The ultimate in method acting

The ultimate in method acting

 

Episode 9 deals with the inevitable situation when the mass media become aware that a reclusive university professor has become a consultant to the police. This outing is accomplished by an unbalanced physicist who, in a conference ten years ago, was profoundly embarrassed when the young professor pointed out an error in the man’s presentation. This led to his loss of a job with a lesser university. In short order, he went through several other jobs. Each time he was fired, he felt he was able to blame others. It wasn’t that he was not good enough. It was the fault of others in failing to recognise his genius. Anyway, after being out of work for six months, he decides to take his revenge on the professor who had originally shown him up. He dubs himself The Devil’s Hand and takes the credit for a death the authorities had considered an accident. In due course, he claims a second death.

 

The way it works is that, the night before the death is due to take place, he posts a message to a website forecasting the victim. After the death, he writes a letter to both the police department and the professor pointing to the message. What interests Galileo is that the written letter claiming the first death followed immediately the next day, whereas there was a gap of three days between the next announcement and the letter. When the detective asks the right questions, she discovers it took three days for the man to die. So whatever method the man us using, it’s fallible and he has to wait to see whether each attack is successful. Galileo sets his research students working on trawling the internet to find other messages announcing deaths. When one is discovered, the detective finds the woman survived without injury. As Galileo talks with her, he realizes how the man is attacking these people and why they do not always die. So this is quite an interesting mystery, somewhat enlivened because our less successful physicist befriends Hiromi Kuribayashi, Galileo’s assistant, and tries to pump him for inside information on how the investigation is progressing. Naturally, the assistant quickly gets drunk and is a useless source of information. So far, Galileo 2 or ガリレオ (第2期) (2013) is not as good as the first season, but I live in hopes because the last two episodes are an adaptation of Salvation of a Saint, a superb Galileo novel.

 

For other work based on Keigo Higashino‘s writing, see:
11 Moji no Satsujin or 11文字の殺人 (2011)
Broken or The Hovering Blade or Banghwanghaneun Kalnal or 방황하는 칼날 (2014)
Bunshin or 分身 (2012)
Galileo or Garireo or ガリレオ
Galileo 2 or ガリレオ (第2期) (2013) episodes 1 and 2
Galileo 2 or ガリレオ (第2期) (2013) episodes 3 and 4
Galileo 2 or ガリレオ (第2期) (2013) episodes 5 and 6
Galileo 2 or ガリレオ (第2期) (2013) episodes 10 and 11
Galileo: The Sacrifice of Suspect X or Yôgisha X no kenshin (2008)
Midsummer Formula or Manatsu no Houteishiki or 真夏の方程式 (2013)
The Murder in Kairotei or Kairoutei Satsujin Jiken or 回廊亭殺人事件 (2011)
Naniwa Junior Detectives or Naniwa Shonen Tanteida or 浪花少年探偵団 (2012) episodes 1 to 4
Naniwa Junior Detectives or Naniwa Shonen Tanteida or 浪花少年探偵団 (2012) episodes 5 to 8
Naniwa Junior Detectives or Naniwa Shonen Tanteida or 浪花少年探偵団 (2012) episodes 9 to 12
Platinum Data or プラチナデータ (2013)
Thursday Theatre Keigo Higashino Mystery or 東野圭吾ミステリーズ (2012) episodes 1 to 5
Thursday Theatre Keigo Higashino Mystery or 東野圭吾ミステリーズ (2012) episodes 6 to 11
White Night or Baekyahaeng or 백야행 : 하얀 어둠 속을 걷다 (2009)
The Wings of the Kirin or Kirin no Tsubasa: Gekijoban Shinzanmono or 麒麟の翼 ~劇場版・新参者~ (2012)

 

For a Galileo novel, see Salvation of a Saint.

 

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