The Drawing of the Dark by Tim Powers
The Drawing of the Dark by Tim Powers (Subterranean Press, 2014) is a reprint of a book that first appeared in 1979 (yes this author is beginning to get a little long in the tooth). So while you can expect some of the writing style and flourishes that have become trademarks, this is the third book by an author of just twenty-five summers. It’s reasonably good, but don’t expect it to be one of the greatest books by Powers. As you might expect, we’re in an alternate version of Europe in the sixteenth century with Brian Duffy, an Irish mercenary, who’s been trudging from one fight to another for many a year. After minor difficulty in Venice, he accepts a job from Aurelianus as a “bouncer” (an interesting anachronism) in the Vienna inn where the famous Nertzwesten Beer is brewed. Unfortunately, this job coincides with the arrival of Suleiman the Magnificent accompanied by the pick of the Ottoman Empire’s army. This gives us our theme of West vs. East with physical forces and magical powers (pun intended) ranged against each other with the fate of Europe in the balance. For those of you interested in the history, Vienna did come under siege in 1529 and the failure to win decisively produced a loss of momentum. Had Vienna fallen, the Ottoman forces could probably have overrun the major European armies and produced an empire of vassal states.
Using the history as an excuse, Powers has both sides pulling out the best (and worst) of their magical weaponry. For the West, the defence hinges on the the ability of Merlin, acting on the instructions of the Fisher King, to find the reincarnated Arthur and let him lead the fight for the future of the West. During the course of the book, it becomes obvious that several other “heroes” have been reincarnated, or are guided by their supernatural abilities, to spend a few months in Vienna to help in the fight. However, as is always the case once you open the mythic box, the lineage of heroes has centuries to draw on and we also get a brief view of the Norse gods as well. As the physical battle reaches its climax, the magical forces also lock horns (and anything else they can fight with). It’s not a spoiler to reveal the book stays true to the historical outcome to this siege.
As linear narrative historical fantasies go, this is reasonably well constructed and the plot dynamics all come together well in the climatic battle. There’s also some humour — the description of the hunchback’s funeral is a gem to treasure. But there are one of two fairly major flaws. As everyone will quickly realise, our hero Brian Duffy is the reincarnated Arthur but, to prolong the suspense, this is not revealed to him until quite a way through the book. The problem for the reader, therefore, is to reconcile the character we first meet with with occasional glimpses of the Arthur legend tells us to expect. Since he’s profoundly stubborn, Brian lives in denial of his “heritage” and mostly manages to keep his own personality and fighting abilities to the fore. I’m not sure this is managed successfully, particularly because we have a doomed love affair with the Guinevere reincarnation. To my jaded eyes, this is not handled well. And compounding all the problems with character, I’m still not quite sure what the effect of the dark is supposed to be. The brewery in Vienna which is the real target for the invaders, not the city, produces three varieties of beer. Needless to say, the dark is the most potent and needs a long time to complete its “fermentation”. But having arrived at the end, there are two issues left unexplained. First, the production process for all three beers seems almost entirely supernatural. I was expecting a real brewery but this is completely unreal without any hint of how it’s supposed to produce enough beer to keep the city and its troops supplied throughout the siege. Second, the book finishes before the dark is ready to be drunk and we therefore have no understanding of who gets to drink it, why they would drink it, and what the results are. Unless its only function is to keep the Fisher King alive which, in turn, will keep the spirits of the West high. But that would not explain why others have drunk it before and are now pestering Merlin for more of it now. Since the beer features in the title, you would think the author would have condescended to explain it a little better.
So here comes the short summary. I read The Skies Discrowned when it first came out and didn’t bother picking up the next two books by Powers. Fortunately, I did buy a copy of The Anubis Gates and, for the most part, I’ve been a fan of Powers ever since. The Drawing of the Dark has its moments, but it’s fairly generic historical fiction by modern standards. If you’re a Powers completist, you will buy this to get a sight of the early writer at work. If you have not yet tried Powers, this is not the right place to start. Read The Anubis Gate first to see whether you like his approach.
For reviews of other books by Tim Powers, see:
Hide Me Among the Graves
Salvage and Demolition
and for a review of the film adaptation: Pirates of the Caribbean: On Stranger Tides (2011).
A copy of this book was sent to me for review.