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Small Town Heroes by Marion G Harmon

Small Town Heories cover

As we grow, we learn about the world that surrounds us. The first independent exploration across the floor brings us a sense of the space around us, but strange phenomena like steps are beyond us. Then as our eyesight and cognitive functions improve, we appreciate vision in three dimensions. We grasp the idea of depth and “see” a context for the faces of mommy and daddy that have loomed above us in the cot. Our natural curiosity propels us to explore strange new worlds, seeking out new lives for ourselves, and boldly going where no baby has gone before.

This may seem a perverse way in which to begin the review of Small Town Heroes by Marion G Harmon, the fifth in the series, Wearing the Cape, featuring Astra and the junior team of Sentinels, but it nicely captures the spirit of the problem confronting all those who write a serial. When the first episode sees the light of day, the author waits with trepidation to see whether he or she’s managed to find the magic formula that will pay the bills while the next in the serial is written. In fact, this author has the talent to produce new books at a steady rate. He’s now a professional writer with a loyal following, keeping everyone happy. Well, keeping most people happy.

The problem may be put simply. The world of the superhero can be very two-dimensional. Each character comes with inbuilt strengths and weaknesses. In the right circumstances, any given character will prevail by using the strengths and shielding the weaknesses from attack. The plot in each book is therefore like a structured game or dance as opponents manoeuvre against each other to face combat in circumstances which favour one side. If the plot comes out right, the good guys have the edge over the bad guys, and we can pass on to the next thrilling instalment. Except, after a while this can grow a little repetitive. There are only a limited set of conditions in which each class of superhero can win or lose. After a few fights, we’ve seen most of these situations played out. So if the series is to develop, it must gain depth and context, i.e. the characterisation must show real growth, and there must be world-building so we understand how and why these particular superheroes and their antagonists came into being, and what motivates them to fight.

Marion G Harmon

Marion G Harmon

This book makes a more serious attempt not only to give some of the history explaining how this particular version of reality came into being, it also introduces a wider political context for the action, some of which takes place in Cuba. So, for the first time, we can begin to locate the American experience of superheroes in an international context. More interestingly, there’s also a discussion of the different types of political system that might emerge if some of the local citizenry develop superpowers. It’s all very well to assume some people would side with the forces of law and order, offering help to subdue superpowered villains as they break the law. But this ignores the need for a legal structure in which the powerful may be protected from civil liability. Imagine the problem if a gang of supervillains breaks into a bank. Superheroes surround the area and a fight ensues. Not surprisingly, a significant amount of damage is caused to buildings, the street furniture, and any vehicles in the area. And that’s before you get to any ordinary humans who get caught in the crossfire. So who pays to repair all the damage, replace broken fixtures and fittings, and cover the medical expenses of the humans injured? There must be careful liaison between conventional police officers and the superpowered helpers. Rules of engagement must be agreed. There must be penalties if the superpowered exceed their defined roles. There must also be investment in new forms of jail to hold those villains with different powers, and in the development of new weapons that can defeat the supervillains when none of the superheroes are around, or, perish the thought, if one of the superheroes goes rogue.

So one of the joys of reading books like this is to see an author making a real effort to develop the basic scenario. The opening books were auspicious because there’s real ingenuity in the way they exploit the information made available through time travel. However, as the series has progressed, the changes made using this information have produced an increasingly divergent reality which no longer matches the future from which the information was gleaned. So now the heroes are flying more by the seat of their pants, hoping their best decisions are good enough to keep their world on a safe track. Our primary hero, Astra, is also growing up. She’s still making mistakes as you would expect of someone of her age, but there are signs of maturity creeping in. Some time soon, she’s going to become a fine superhero leader. While she waits for more responsibility and some national recognition, the rest of her team rally round for the big set-piece fight at the end with others making guest appearances from earlier books. It’s pleasing to see how everyone gets their place in the action as a new set of supervillains poses different challenges to overcome. So having wobbled very slightly in the last book, Harmon is very much back on track with Small Town Heroes, leaving a mess of troubles for Astra to deal with when she gets back home in the next book.

For reviews of the other books by Marion G Harmon, see:
Bite Me: Big Easy Nights
Villains Inc
Wearing the Cape
Young Sentinels

A copy of this book was sent to me for review.

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