The Black Stiletto: Endings and Beginnings by Raymond Benson
The Black Stiletto: Endings and Beginnings by Raymond Benson (Oceanview Publishing, 2014) is the final book in the tetralogy featuring this female “avenger” of the 1960s. Before coming to the detail of the review, I need to express real admiration for the craftsmanship that’s gone into the writing of this set of four books. Some degree of honesty is now required. Authors and publishers could sell their wares in monster packages of more than 700 pages (as in the books forming A Song of Ice and Fire saga by George R R Martin). For some reason, a surprisingly large number of titles in science fiction, fantasy and horror have achieved their own epic proportions when it comes to word counts. So it would have been perfectly possible to publish these four books as a duology or trilogy if we’re only thinking in terms of packaging. Yet here comes a single, coherent book that’s conveniently divided into four “diaries” plus other content to give the history a modern context. Each book has a nicely controlled narrative texture and reaches an appropriately cliffhanging climax at the end of each book. Indeed, just judging the whole on a technical level, it’s a masterclass on how to build and control the dynamics and tension of the narrative over four volumes. For the record, this is a single story. Although there could be more books featuring a female “avenger”, the title of this last volume tells you it would be a different hero.
In this final volume, our slow-reading son finally gets into the fifth and last section of the diaries while his mother’s health steadily worsens, his intended realises there may be more to this man than first met the eye, and his daughter begins to think her interest in martial arts may just come in handy as the killers close in. She’s already despatched two of them — they were about to discuss family relationships with her father towards the end of the last book. The legal overhang from this intervention is resolved quite early on as the DA decides she was acting in defence of her father and so deserves a free pass. Now more bad guys are on the way and the family must work together to avoid the repercussions from events fifty years ago.
As in the previous books, we get a rotating point of view between the primary characters. The original Black Stiletto takes us through the history of what happened when she worked out the identity of the copycat Stiletto and began more seriously to consider how she might clear her own name and protect the child now growing inside her. We also get the child’s father explaining his point of view while the boy, now grown into a man, gives us his often rather pitiful efforts to protect those around him. Fortunately, courage skips a generation and finds contemporary residence in his daughter who becomes the more active solution to the growing problem. The result is a delightful confection of outright thriller and historical mystery as the Black Stiletto puts together the pieces to bring down a major part of the southern mafia’s operation. In this, it’s interesting to see how the original naive young woman has evolved into a slightly more circumspect mother-to-be. Once the son is born, she becomes even more cautious, but contrives to acquire enough money to be able to live on after she disappears, and to make an interesting use of the diamond that featured so strongly in the last exciting instalment. This is not to say she becomes “bad”, but she does begin to take a more flexible approach to the opportunities as they present themselves to her. It all makes for a great read and I recommend the whole tetralogy as great fun with a thriller edge, finishing on a high with The Black Stiletto: Endings and Beginnings.
A copy of this book was sent to me for review.