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Death in the Dolomites by David P Wagner

Death in the Dolomites vt David P Wagner

I’m toying with the idea of describing Death in the Dolomites by David P Wagner (Poisoned Pen Press, 2014) as “efficient”, but I’m not sure this is quite the right word. This is the second book to feature Rick Montoya, a bilingual Italian/American who lives in Italy and makes his living as a translator. As such, the book has to confront a number of different problems and to meet a number of expected goals. Let’s start with the question of language. As we read it, we’re supposed to believe that, except where expressly stated, all the relevant parties are speaking colloquial Italian. Obviously, apart from the occasional buon giorno to signal the start of a morning conversation, the vocabulary and syntax are that of contemporary American. Since this is a book aimed at native English speakers, the book cannot be written in a foreign language. However, I do sometimes wonder whether more of an effort might be made to reflect some of the “local” rhythms of speech.

Then there’s the question of culture. Italy is not just about the language, it’s also about the social dynamics. People born and bred in different parts of Italy have quite different attitudes when it comes to how they react in different situations. So, for example, the relationship between the sexes, the reaction to people visiting from different parts of Italy, or dealing with foreigners, will vary quite significantly depending on where you are. Because this is also difficult to show, this author tends to define the local culture in terms of its food and wines. There are several quite detailed descriptions of the meals the characters eat and the alcohol they drink. Hence, this description of an Italian resort town is efficient. It does enough through the odd word or short phrase in Italian to remind people where they are supposed to be, and the culinary arts are firmly Italian. As to the rest, apart from a description of the cemetery and one rather nice story about why relationships can change, this could be Jackson Hole Mountain Resort or Squaw Valley.

David P Wagner

David P Wagner

In fact, the setting is the Dolomites which is used to “welcoming” holidaymakers who come to ski during the season, so this particular group of people should be sufficiently open to maximise the amount of euros they can absorb during the visiting season. Hotels, restaurants, cafes and all the usual run of artisanal tourist-oriented shops are lined up ready to supply what their visitors expect to find at a price that’s not a deterrent. This shapes the local politics with the two candidates for mayor being a woodcarver and a baker, both determined to keep their town popular with skiers.

The death of an American is therefore potentially bad for business, and the current mayor is determined the whole matter must be investigated and forgotten as quickly and quietly as possible. An experienced detective arrives from the nearest city and needs a translator to be able to interview the sister who reported him missing. Our hero is the ideal candidate because his uncle is a senior police officer in Rome and has used his influence to have his nephew accepted as an informal consultant. This pitches our hero in the forefront of the investigation and it’s interesting to watch how both the experienced officer and translator arrive at the same answer at the end, but by travelling slightly different routes. In practical terms, the mystery element is high quality. We have a limited pool of suspects which fairly quickly comes down to a choice between two. There’s a minor twist towards the end. The mechanics of the murder and the aftermath are well worked out. The result is satisfyingly logical. I was also reminded of an early episode in the Inspector Morse television series in which our detective was engaging in some gossip at a college function and it was only at the end that he realised how he had been misled. This uses the same device to steer us in completely the wrong direction until evidence to the contrary emerges at the end. Put all this together and you have a book that very efficiently places us in Italy and expertly gives us armchair detectives a rather pleasing puzzle to chew on. Although the thriller elements are somewhat unsatisfying, Death in the Dolomites shows an author developing the craft and delivering a highly satisfying mystery read.

For a review of the first in the series, see Cold Tuscan Stone.

A copy of this book was sent to me for review.

  1. November 19, 2014 at 8:09 pm

    Yes, my sentiments exactly. I read the first in the series, set in Tuscany, and had no wish to continue, despite my love for Italy and foreign settings in crime fiction.

    • November 19, 2014 at 8:18 pm

      This is a better mystery than the first and Wagner does go through all the usual motions to give us local colour, but the adventure/thriller element is risible leaving the overall effect rather mechanical. Sadly I won’t be around to read the next in the series, assuming there will be another, but if it shows the same level of improvement as this does over the first, it may actually be worth reading.

  2. November 20, 2014 at 12:53 am

    For me a good murder mystery is never really about the mystery (which must still be well-crafted), but about the characters involved and what the murder and it’s aftermath does to them. A good character-arc for the detective is a must, and the setting must be engaging. I think based on this I may have to look into these books.

    • November 20, 2014 at 10:29 am

      In that case, don’t read this. The mystery is really the only good feature about this book. The first in the series had no good features and is definitely not recommended.

  1. November 19, 2014 at 8:00 pm
  2. November 19, 2014 at 8:01 pm

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