Posts Tagged ‘A Shifted World Novel’

Kindred and Wings by Philippa Ballantine

October 25, 2013 Leave a comment

Kindred and Wings

To understand this series, you need to imagine a world where reality and chaos interface. As a physical place, this is Conhaero. In a way, it only exists out of sufferance. In other circumstances, it would probably never have existed at all. Having come into existence it could have completely collapsed back into the melting pot from which its constituent elements were drawn. But a bargain was struck which enabled land to form and persist. For all that it frays around the edges with mountains becoming plains and then lakes as random probabilities change the lay of the land, enough of the emerging continent continues in relative stability so that beings may live inside or upon it, and not perish by falling into random holes or being sucked up into the sky. These are the creatures that have their genesis in the formless void. They have come on to the land through their own efforts. They are the kindred of the title. Everything was going along well for them until different races began to arrive through the void. One was the Vaerli. Like the kindred they made a pact, granting them the right to remain on conditions. But they had seers who foretold their downfall. There would be a harrowing. The puzzle the Vaerli had to solve was how to recover after the inevitable fall.

Kindred and Wings by Philippa Ballantine (Pyr, 2013) the second in the Shifted World series finds Finnbarr the Fox (a Manesto-Vaerli hybrid) now riding the dragon Wahirangi as he searches for Ysel, the brother he never knew he had. Talyn (a purebred Vaerli) lost her people and found nothing but pain working for the Caisah, the mortal man who was granted immortality during the process later called the Harrowing. She’s changed employer but still rides Syris, her nykur steed. Now she’s abandoned the process of killing to secure pieces of the puzzle from the Caisah, she has a different mission, this time for the Phage. She acquires a scroll and, according to the Phage, the only way in which it can be destroyed is by the flame of a dragon. Since the only person with a dragon to hand is Finnbarr, this is forcing her to resume her relationship with him. Her ability to edit her memory continues to be fallible and she still finds herself reliving moments with him. Meeting up with him again will be a challenge to her peace of mind. Byre, Talyn’s brother, is still with Pelanor and, having travelled into the past, is now more positively moving forward into the future where he may finally solve the puzzle.

Philippa Ballantine

Philippa Ballantine

Complicating matters further are the plans of Kelanim, the Caisah’s current mistress who’s being manipulated into removing the “curse” of immortality from the man she sleeps with. She hopes, if not truly believes, that as a mortal man, the Caisah will be able to love her. In his present state, he simply sees her as a Mayfly, transitorily passing through his life before dying. As they say in books, this is a tangled web but it represents a metaphor in which to explore a number of all too common human strengths and weaknesses. The problem with people who acquire power is the sense of entitlement it brings. They become defensive, looking for every possible way in which their position can be reinforced without any real sacrifice being necessary on their part. This often goes hand-in-hand with pride. They come to expect deference from others. If necessary, those in a subordinate position are expected to make the sacrifices their “leaders” should make. If one or two whipping boys fail to provide results, an arena full may bring better results. This is how the Caisah has ruled. Not only is he immortal but he also possesses such power, he’s effectively invulnerable as well. Yet there are still those who plot against him. Their treason cannot be tolerated. As a people, the Vaerli seem to have lost their ability to empathise with others. They felt themselves superior to other races and groups. This led to pride in their ability to organise the world according to their wishes.

In all this, there’s an underlying irony. The Vaerli have seers who can see their pride will lead to a fall. The puzzle is whether this is predestined or can be avoided by the exercise of free will at critical moments. If fate is implacable and they must fall, is there a way to recover what has been lost? So the book is set in the form of a quest. Those in the past are looking for a means of redemption, knowing that much, if not all, the future is set on a fixed path. Individuals are also searching for their own identity and a better sense of what their role is to be in the greater scheme of things. For some, it means they will be required to die. For other it offers a chance for salvation.

I found Kindred and Wings slightly slow to get going. It takes a while to establish where everyone is and what they are doing. However, once the basic set-up is complete, we’re off on a well-paced plot to some interesting outcomes, at least one of which was unexpected. This leaves a satisfied smile on my lips. There’s enough intellectual substance to lift the book well above average for a high fantasy with dragons. This is worth pursuing.

For reviews of other books by Philippa Ballantine, see:
Hunter and Fox
Phoenix Rising (written as a team with Tee Morris)

A copy of this book was sent to me for review.

Hunter and Fox by Philippa Ballantine

Hunter and Fox by Philippa Ballantine, A Shifted World Novel (PYR, 2012) introduces us to Talyn the Dark, a bounty hunter for the Caisah of Conhaero, Master of Chaos. She’s one of the few Vaerli to have survived the Harrowing, travelling the Chaosland on Syris, her nykur steed, killing as directed by her Master. Every time she kills, Talyn is paid with a new piece to fit into the Puzzle. She has a brother, Byreniko. The only reason they are both alive is that a minion of the Caisah separated them before they could die. Byre lives as a pariah in the world until he meets the Sofai of Mohl who foresees a quest to the city of Choana in the Great Cleft in Achelon.

In a different part of the land we find Finnbarr the Fox, one of the Manesto tribe, a talespinner who dares tell of the times before the Caisah when the Kindred and the Vaerli ruled the land. When Finn goes to the city of Perilous and Fair to tell his tales to a larger audience, he’s standing in the shadow of the gates leading into the Citadel where the Caisah holds sway and death awaits the uninvited. Fortunately, the Fox has as occasional friend Ysel, a child hidden away from danger, who can warn Finn when he’s at risk. Then there’s Pelanor, a new Blood Witch who must try to kill Talyn. . .

Summaries like this are always potentially misleading because, in the brief recital of facts, all you get is a flavour of the contents. From the opening paragraphs you might conclude this is one of these hack sword and sorcery fantasies in the Robert E Howard mould where a not-very-intelligent barbarian with a big sword, assisted by a thief and supported by a magician, comes good when the chips are down. Let’s face it, Talyn may be female but she’s an unstoppable killer with a sword. Except she emerges as an essentially tragic figure, burdened by the past, the detail of she has chosen to forget, and bound to a Pact with the Caisah she believes will ultimately save the remnants of her race. Taken overall, Hunter and Fox proves to be a fascinating allegory on the nature of identity. As mere humans, we always tell ourselves we’re the sum of all our memories. In theory, we learn from our past. We control our fears by remembering how we’ve kept ourselves safe through the years. Our hopes, dreams and ambitions are shaped by what we remember used to be possible. So we aim to become the best possible version of ourselves. In this allegory, it’s for each person to bring order to the potential chaos of emotions driven by long-held memories.

Philippa Ballantine with her quick-draw candelabra

Yet here’s Talyn who’s deliberately chosen to edit out all the memories that fail to fit her current worldview. She uncritically accepts her bondage to an unaccountable ruler who uses fear and death to control the disparate races who populate the land. If we were to ask about her morality as a killer, she would no doubt reply that if she did not do the work, there would be many others who could take her place. On an individual level, she’s the best person for the work because she’s mercifully quick in dispatching the nominated victims. Taking the broader view, the remnants of her people will be redeemed when she completes the Puzzle and satisfies the terms of the Pact. The sacrifice of a few as the price is morally justified because redemption of the many is the greater good. That such arguments are specious would not occur to her because she’s not the person she used to be. In a different way, Finnbarr cannot be the person he appears to be. No other Manesto has magical powers, yet he can manipulate time and space to talk with Ysel, he knows no fear of Talyn, and he’s protected by the Kindred. In Byreniko we have a man who’s been raised outside his own racial group and so comes to the question of identity with a skewed perspective. His experiences have taught him to be submissive, but perhaps that’s not always the best way. And then there’s Pelanor whose life has been dedicated to the path of becoming a Blood Witch. That’s meant years cloistered away from the world, only knowing what her teachers have chosen to tell her. When she’s sent out into the world, she discovers the world is not as her teachers described.

Philippa Ballantine shows us these four primary characters are pale shadows of the people they could have been and challenges them to see how, if at all, they can adapt and change. The Jesuits used to assert, “Give me a child until he is seven and I will give you the man.” Regardless whether this simplistic psychology was ever true, the four characters have been locked into their roles for many years. Talyn has been a willing tool for killing the defenceless, Finn has been spinning his subversive tales from town to town, Byre has been keeping a low profile while on the run, and Pelanor has been monomaniacal in her desire to become a Blood Witch. Since these four and others who become significant as the narrative develops are conscious beings, they should be able to influence their own futures. Yet this may not be practical given the capricious power of the Caisah to call down death on communities with impunity — his personal magic appears to make him invulnerable. So if individual change is possible, it may have to flow from self-sacrifice or the willingness of others to put themselves at risk for the greater good.

Hunter and Fox is a highly entertaining fantasy that tips its hat at the standard fantasy tropes and then exploits them to explore issues of moral accountability in an essentially unpredictable world. It’s not called the Chaosland for nothing. At the interface between the surrounding literal chaos and the emerging land, what’s gently rolling countryside one month may be a mountain range the next. The physical world only exists to the extent chaos can be tamed. It’s the same for the intellectual and emotional landscapes inside each person’s head. As to the language of the book, there are moments of slight archness, particularly in the relationships between Talyn and the women of the Caisah’s court, but the prose is rich and engaging. This leaves only one criticism. That the action stops so abruptly. I was being swept along and. . . a cliffhanger to take us on to the second exciting episode. It feels as if the author wrote a long book and the publisher decided to split it into two. For me, the next episode is a must-read.

The cover illustration by Cynthia Shepperd reminds me of the jacket artwork of Kelly Freas for Laser and other publishing houses during the 1970s, i.e. a striking woman in the foreground and the head of a faintly malevolent male in the background.

For other books by Philippa Ballantine, see:
Kindred and Wings
Wrayth and
Phoenix Rising (with Tee Morris).

A copy of this book was sent to me for review.

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