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The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 8 to end

September 7, 2014 Leave a comment

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The eighth episode in The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) has Gou Serizawa (Koichi Sato), our enthusiastic lawyer, trapped into investigating the case of an accidental death with a manga artist/author dead in her own studio — he appears on a television chat show and is ambushed. He further piles misery on himself by announcing this is a murder before the expert is anywhere near the solution. All the doors and windows were locked, but this is not a locked room mystery because of the locks. In fact, several people had duplicate keys and could have entered. Except the owner of the house, having seen neighbours victimised by burglars, got a big dog that barks when anyone it does not know tries to come on to the land around the house. So the dog did not bark at any time during which the forensic analysis says the death occurred, i.e. apparently no-one entered or left the house. Except that would not explain the beer. . . It’s so refreshing when the first real clue is beer. Anyway, it’s obvious whoever did it not only had a key but threw drugged food to the dog over the hedge. With the dog incapacitated, the person with the key can now come and go without any of the neighbours hearing the barking. Except there’s then a break in at the house and not only is the dog silent but it’s also completely unharmed. So why would anyone come back into the house? And why were none of the collectible watches stolen and, hey, why has one of those watches stopped working? There’s also the fascinating way in which Japanese local authorities discourage young people from congregating in the civic parks after dark to consider.

Gou Serizawa (Koichi Sato)

Gou Serizawa (Koichi Sato)

The ninth episode has our lawyers called in to advise a firm on an international deal only to find this is probably a front for the yakuza. It seems one of the senior executives was found dead in his office, so the president of the company calls in Kei Enomoto (Satoshi Ono) to improve the security system. He installs multiple locks on the only door and a new camera system but, almost immediately, another employee is found shot inside this room. Obviously this looks bad for a firm doing its best to appear legitimate, so the team is “encouraged” to take on the case to establish how the deaths occurred. For once, I actually got a part of the answer right, but the bigger picture is very nicely rounded out with touches that never occurred to me. Indeed, the one place where the evidence can be found is pleasingly just out of sight all the time. Gou Serizawa does his best not to be intimidated despite the fairly obvious gangster backgrounds of some of the employees. But Enimoto is strangely unmoved, even when threatened.

Junko Aoto (Erika Toda)

Junko Aoto (Erika Toda)

The final two episodes run together to provide the big finale. This has a man killed inside his office on the twelfth floor of the block. There’s bulletproof glass in the windows, there are locks on the doors up from the main staircase and from the roof, there are cameras on the corridor showing all the office doors, and there’s a keypad lock on the elevator to ensure no unwelcome visitors stop at this floor. This is a company about to seek a listing on the Tokyo Stock Exchange. It specializes in medical devices to help nurse the elderly. Their two major projects involve the use of a robot to lift and carry patients around, and training monkeys to fetch and carry things for the patients. Shortly before the launch, there’s an attack on the president’s office. A bullet is found embedded in his door and there’s a break in the glass with glass fragments on the floor inside (the glass was not as bulletproof as people thought). It’s concluded that someone believed they could assassinate the president and Kei Enomoto is called in to beef up security. But before he can put the plan in motion, the president is found dead in his room. It seems he was stuck on the very top of his head where he had a skull abnormality. Although it was only a light blow, it nevertheless caused a haemorrhage and he died. When the internal office layout is investigated, only one man could have entered the president’s office to deliver the fatal blow. There’s a connecting door with the vice president who claims to have been asleep. The police duly arrest him. However, the police then receive an anonymous tip that there had been bad blood between Kei Enomoto and the president five years earlier and, with his known ability to beat security systems, he could have killed the president out of revenge.

Kei Enomoto (Satoshi Ono)

Kei Enomoto (Satoshi Ono)

This proves to be a very satisfying final case for this team to solve. With Kei Enomoto out of the picture, it falls to the lawyers to do some spade work. Junko Aoto (Erika Toda) slowly puts together a profile on one of the suspects, showing he has changed his identity. And then, when Kei Enomoto is released through lack of evidence (and an ambiguous confession from the vice president), Gou Serizawa has his first major idea about what actually happened. This involves the use of the medical robot which was standing in the president’s office. Unfortunately, when put to the test, the robot’s internal programming refuses to perform the predicted movements. However, this does trigger an answer from Kei Enomoto who is able to demonstrate one of the ways in which the robot could have been used. The full explanation does come at the end but, given what we’ve seen in the first nine cases, this is rather unusual. It also leads to an ending which, again, is not quite what might have been predicted. Nevertheless, it does bring this highly entertaining series to a bitter sweet conclusion. For anyone even vaguely interested in locked-room mysteries, this should be mandatory viewing. Here are ten very different types of case with very ingenious mechanisms in play.

For a review of other episodes, see:
The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 1 and 2
The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 3 and 4
The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 5 to 7.

The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 5 to 7

September 5, 2014 2 comments

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The fifth episode restores my faith in The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) with another completely unique situation. Once again, I’m caught by the creative brilliance of this set-up. If you go back through the annals of locked-room mysteries, there are locked doors and windows, often with bars on the windows or a sheer drop no-one could climb. This time the door had no lock but it could not be opened. Yes, that’s right! There had been an earthquake and, because of the shoddy building work, the house had suffered serious physical damage, subsiding on its foundations so that the openings for the doors and windows were no longer in true. So most of the doors were caught in place by the movement of the walls. Windows were locked, but also very difficult to open because the frames were bent. One of the two doors into this particular room had been forced open. The only way in which it could be closed again would be by someone with a soft mallet knocking the door into the frame from the inside, focusing effort on the top corner of the door. Obviously there’s a man dead inside. He apparently fell and hit his head. But, of course, there’s no mallet or any other heavy tool that could have forced the door closed without seriously damaging it. The only oddities about the room are two vents, one at about head height and the other just above floor level. Someone could have put their hand and a part of their arm through into the room, but neither vent is anywhere near the door. There is a suspect but he has an alibi. As a teacher in the local school, he was coaching the baseball team for four hours. I managed to guess the basic principle involved, but the detail of the execution is one of these delightful reveals to produce a really pleasing outcome. For once, it doesn’t matter whether it might have been practicable in the time available and I don’t care that the design of the room and the effect of the earthquake have produced exactly the right conditions. It just feels good.

Kei Enomoto (Satoshi Ono)

Kei Enomoto (Satoshi Ono)

The sixth episode is a locked-room situation rather than one physical location. Events all take place in a theatre. While the live show is on, a man is killed in a room under the stage. Most of the cast is on stage all the time. Hence, only a very limited number of people could have committed this crime. The problem is that the only escape routes from this room either require the killer to leave the theatre and re-enter through the front doors which would have been rather visible, or to physically cross the stage (something which you would expect members of the audience to notice). This is another of these plots where the solution of the mystery only comes when the motive for the killing is understood. Once it’s possible to say who might have done it, we can then move on to decide how it might have been done. This is another answer that works completely from one point of view, but you have to wonder about those with a different point of view. However, if you put doubt to one side, this is another very satisfying answer to a fundamentally interesting question. The demonstration of the practicality and psychology involved is fascinating.

Junko Aoto (Erika Toda)

Junko Aoto (Erika Toda)

The seventh episode has us in a one-hundred-year old farm house out in the countryside. The ground around the house is very muddy and the front door is only approached over stepping stones to keep shoes dry. On the day in question, we have a woman working in her orchard, pruning apple trees during the critical period of time. She had a clear view of the front of the building at all times. Although a side window was open, anyone stepping out on to the mud would have left clear footprints and there were no marks. There was nothing inside the house that could have been used to enable someone to cross over the mud and so escape on the grass beyond. And then there are the supernatural phenomena that seem to have spectral apparitions and lights in the sky just to add a little spice. The answer to this is nicely obscure until we are asked to consider just how many crimes have been committed. It’s not just the death of the girl. There’s also the theft of a substantial amount of gold bullion and who knows what else.

The characters are developing nicely. Although Gou Serizawa (Koichi Sato) is somewhat shallow and has poor social skills when it comes to relating to the general public, he is a good lawyer. So when there’s a need for a useful overview or the right consequences have to flow when Kei Enomoto (Satoshi Ono) unlocks the room, he usually gets the necessary done. However, he’s also puffing up with the vicarious success of the team. Instead of modestly allowing credit where credit is due, he keeps inflating his own role and so attracting more cases for him to solve. Junko Aoto (Erika Toda) began as a meek and submissive assistant, but she’s beginning to show signs of greater independence. When the need arises, she’s willing to walk around the neighbourhoods to interview potential witnesses and she’s also prepared to speculate with Kei Enomoto as to how the crimes might have been committed. Indeed, there’s even a hint she might be forming some emotional feelings for the young man. At present, they are just team-members, but as time passes, who knows what might happen. As to the man himself, Kei Enomoto remains as enigmatic as when we first met him. He’s clearly obsessive when it comes to physical locks and finds the challenge of solving crimes to be irresistible. He’s very watchable.

For a review of other episodes, see:
The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 1 and 2
The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 3 and 4
The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 8 to end.

The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 3 and 4

September 4, 2014 1 comment

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The third episode of The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) sees a body found with a single stab wound to the back in a hotel bedroom which had a chain put in place from the inside. This makes a change because, from the outset, this is treated as a murder investigation. For all practical purposes, it’s impossible for the chain to be lifted into place from outside. Yet, if the killer was inside to put the chain in place, how did he or she get out? We are into the land of the elite Shogi players. As our entry into the story, Gou Serizawa (Koichi Sato) is general counsel to the National Association and fielded a call from the deceased, one of the senior professionals, just before he was found stabbed to death in his hotel room. The police begin harassing our lawyer who refuses to reveal anything of what was said. Because he finds this embarrassing, he sends Junko Aoto (Erika Toda) and Kei Enomoto (Satoshi Ono) to investigate. The most obvious possibility is that someone knocked on this man’s door and then persuaded him to turn around so he could be stabbed in the back. But if there was such a level of distrust that the man would not unchain the door, why would be casually turn his back on the attacker? So here we have a locked room and Kei Enomoto decides the only way in which he can unlock it is to understand the motive. This breaks his usual pattern which has ignored the people involved and focused on the facts.

Gou Serizawa (Koichi Sato)

Gou Serizawa (Koichi Sato)

This takes us inside the world of the professional Shogi players. The qualification event that’s currently causing waves offers the possibility a woman might finally reach the highest level. She has one more match to play and if she wins, she will make history. By a curious coincidence, the other man who has qualified for this final match should have played the deceased in a previous round. The form book says he would have lost, but there’s doubt as to whether this would give him a motive for murder. The female player also had a sexual relationship with the deceased, but immediately before and after the time of death, she was apparently calling the deceased from her home on the telephone landline (old technology). Although the theme for the motive is fairly obvious, there’s just enough in the rest of the story to keep this fresh and these represents another winning locked room.

Kei Enomoto (Satoshi Ono)

Kei Enomoto (Satoshi Ono)

The fourth episode, however, sees a slight misstep. Gou Serizawa’s beginning to gain some fame because he’s been taking the credit for solving these locked room puzzles. Normally, nothing would have persuaded him to accept this obviously fairly poor and rather obsessive man as a client but, with a photographer looking on, he’s trapped into accepting him.The man wants the lawyer to gain entry to an apartment that has been set up to keep an expensive collection of spiders. The man asserts a claim over two of the spiders but, with the collector dead, neither the mother nor the widow are prepared to allow him into the room. As the story is revealed, it seems the collector was found dead a few days ago. There was a security lock on the outside door and every single window, vent and drain through which a spider might otherwise have escaped, was covered by a mesh or taped up. It seems the collector was bitten by one of the spiders and died. But this is problematic because if he had known he was bitten, why did he not call for help? He was carrying a cellphone and there was a landline in the room. So, on the face of it, this is a very intriguing mystery, but the answer turns out to be one that might conceivably have worked if it had been in written form. We tend to find more things plausible when we see them in our mind’s eye. But as seen on the television screen, this strikes me as seriously implausible. This is unfortunate because, if you accept the basic premise, the various factors do all fit together perfectly.

For a review of other episodes, see:
The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 1 and 2
The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 5 to 7
The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 8 to end.

The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 1 and 2

September 2, 2014 1 comment

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The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) is based on the novel of the same name by Yusuke Kishi. The television series plays with character stereotypes to produce a very entertaining format in which three people combine not only to solve apparently insoluble cases, but also to achieve the right legal result. Gou Serizawa (Koichi Sato) is one of these expensive lawyers who earns small mountains of money for every minute he spends working on complex corporate matters. At the beginning of the series, he acquires Junko Aoto (Erika Toda) as a personal assistant. As a lawyer in her own right, her first job is to go to take simple instructions from Kusakabe (Keisuke Horibe), legal advisor to a long-standing client. Not seeing any problem, she agrees to investigate a death. The police have classified it as a suicide because the body was found in a locked room. But Kusakabe is not convinced. She joins her boss who is inside a bank vault checking the contents of a special deposit. He has already shouted at her for agreeing to him doing something outside his comfort zone and for which he cannot bill his usual amount. She’s anxious and distracted. This triggers a moment of what she believes to be abstract curiosity, and she decides to find out what happens when she presses a button by the safe. Unfortunately, this closes the safe which is then on a time-lock. Since this is a Friday, that means the vault cannot open again until Monday morning. A security officer calls in Kei Enomoto (Satoshi Ono) who, to everyone’s amazement, opens the vault in seventeen minutes. Impressed by this, Junko Aoto not only persuades Gou Serizawa not to fire her, but also to employ Kei Enomoto as an expert to show how a locked room can be unlocked.

Junko Aoto (Erika Toda)

Junko Aoto (Erika Toda)

The scenario is beautifully contrived. All the windows were locked and could not have been tampered with. There’s no cellar, no air-vents, no secret passages, etc. The only door into the room was blocked by the seated figure of the deceased. Moreover, before his death, he had moved heavy items of furniture to make it difficult for the door to open, and had physically covered the door with a silk banner, securing it to the frame with one-hundred pins. When people break through one of the windows, they find the body with blow flies already hatching, i.e. he’d been dead about three days. The answer is very, very clever. What makes the episode so satisfying is that Kei Enomoto is one of these brilliant but socially inadequate people who will work away at puzzles, but find it very difficult to make friends. More importantly, he’s not at all interested in anything but the puzzle. In this, he’s similar to Galileo who stops working the moment the mechanism of the crime has been understood. In this series, that means Gou Serizawa has to join up the dots as the lawyer and get the right answer. This leaves Junko Aoto to run around to collect information, and encourage the two men to get on and do their thing.

Kei Enomoto (Satoshi Ono)

Kei Enomoto (Satoshi Ono)

The second episode sees Gou Serizawa seriously upset because someone has broken into his apartment and stolen his collection of collectable watches. He calls in Kei Enomoto who explains how it was one and how big the bill is going to be to make his apartment secure again. Since our lawyer has not yet paid the expert for his consultancy work, the expert waives the fee in return for Gou Serizawa consulting on another case. This time, Aiichirou Aida (Shido Nakamura) is the uncle of a young man who has apparently committed suicide in a locked room. The lawyer and Junko Aoto are asked to act as go-betweens to gain access to the room. In fact, there does prove to be a legal framework to investigate and this provides a motive should it be a homicide. Whereas the solution to the first episode turns on the forensic evidence, this is a very ingenious method for locking the room after the death. Again, this was completely novel. I pride myself on remembering how authors arrange locked room mysteries and these two episodes are impressively breaking new ground. I understood which piece of evidence was significant in the second, and came up with a way of taping up the door which was adjacent to that given. But the way the whole plot comes together is a delight to anyone who wants intellectual rigour to the solution of such cases. Here we see Yoshio Takazawa (Masahiro Takashima) as the science teacher father and his surviving daughter, Miki Takazawa (Mayuko Fukuda) watching each other like hawks in case there’s another death in the household. The fact Aiichirou Aida has spent time in jail for burglary also proves surprisingly relevant. Put all this together and this proves to be a genuinely exciting opening pair of episodes.

For reviews of other episodes, see:
The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 3 and 4
The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 5 to 7
The Locked Room Murders or Kagi no Kakatta Heya or 鍵のかかった部屋 (2012) Episodes 8 to end.

Galileo 2 or ガリレオ (第2期) (2013) episodes 7, 8 and 9

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Continuing with Galileo 2 or ガリレオ (第2期) (2013), episode 7 breaks the mould by having Professor Manabu Yukawa (Masaharu Fukuyama) aka Galileo front-and-centre from start-to-finish. The role for Misa Kishitani (Yuriko Yoshitaka), the new detective, is limited to sitting in his lab to bully his students into translating his receipts for expenses into the type of language the police accounts department can understand. While waiting for them to do the work, she tries to assemble the model of a Tyrannosaurus Rex sent by the detective despatched for further training to America. Needless to say, this does not please the scientist when he sees her at work using a remote camera system. Anyway, on his way back from a conference with Hiromi Kuribayashi (Ikkei Watanabe), his assistant, and one of his students, he’s diverted to consider whether it’s possible to view the inside of a tomb when the opening has been concreted over. There’s a complicated story about a local mythological animal that may have been trying to steal the body from the tomb and the priest sealed it up to prevent this from happening. The priest then died and his skeleton was picked clean by local birds and predators. Anticipating the difficulties, the student has brought along a high-powered portable drill to get through the concrete and a camera to poke through the hole to view inside the tomb. They are able to establish the body is missing.

The monster signs his name above his victim

The monster signs his name above his victim

 

Meanwhile, what looks like a double murder takes place in the village and the name of the mythological beast is written on the wall. The front door of the house was locked and all the windows were locked from the inside with the shotgun used to kill the man outside the house on the grass at the back. The inexperienced local policeman hypothesises the beast used the gun and then walked through the wall, dropping the gun as he retreated into the woods. The professor is particularly interested in the rocking chair in which the dead man is found and the wet umbrella by the front door. The result is an elegant mystery to unravel and a quite sophisticated moral judgement at the end. It actually makes quite a pleasant change to see the professor in the real wold without having the spiky new detective by his side to provoke him. Although he’s still essentially disinterested, he shows some ability to judge the emotional qualities of those around him. He does listen to people and, to some extent, empathise with them.

 

Episode 8 has a slightly different form of impossible crime. It’s the unbreakable alibi but multiplied by two. The most obvious suspect is miles away in the presence of a colleague when, in sequence, they both receive a telephone call from the victim but neither results in actual words exchanged. When they go to his apartment, they find him dead with a knife through the heart. So the first part of the alibi is working out how the suspect might have arranged for the two calls to be made after the death of the victim. Once that is clear, the police further examine the phone and find a photograph stored in the phone’s memory. It was taken at about the time of the murder, but the only place from such a picture could have been taken was some miles from the scene of the murder. For once, I got the answer to this in principle although the detail of the execution eluded me. This is two interesting ideas padded out to fill time available. The result lacks pace, repeating itself a couple of times and distracting itself with a few fireworks.

The ultimate in method acting

The ultimate in method acting

 

Episode 9 deals with the inevitable situation when the mass media become aware that a reclusive university professor has become a consultant to the police. This outing is accomplished by an unbalanced physicist who, in a conference ten years ago, was profoundly embarrassed when the young professor pointed out an error in the man’s presentation. This led to his loss of a job with a lesser university. In short order, he went through several other jobs. Each time he was fired, he felt he was able to blame others. It wasn’t that he was not good enough. It was the fault of others in failing to recognise his genius. Anyway, after being out of work for six months, he decides to take his revenge on the professor who had originally shown him up. He dubs himself The Devil’s Hand and takes the credit for a death the authorities had considered an accident. In due course, he claims a second death.

 

The way it works is that, the night before the death is due to take place, he posts a message to a website forecasting the victim. After the death, he writes a letter to both the police department and the professor pointing to the message. What interests Galileo is that the written letter claiming the first death followed immediately the next day, whereas there was a gap of three days between the next announcement and the letter. When the detective asks the right questions, she discovers it took three days for the man to die. So whatever method the man us using, it’s fallible and he has to wait to see whether each attack is successful. Galileo sets his research students working on trawling the internet to find other messages announcing deaths. When one is discovered, the detective finds the woman survived without injury. As Galileo talks with her, he realizes how the man is attacking these people and why they do not always die. So this is quite an interesting mystery, somewhat enlivened because our less successful physicist befriends Hiromi Kuribayashi, Galileo’s assistant, and tries to pump him for inside information on how the investigation is progressing. Naturally, the assistant quickly gets drunk and is a useless source of information. So far, Galileo 2 or ガリレオ (第2期) (2013) is not as good as the first season, but I live in hopes because the last two episodes are an adaptation of Salvation of a Saint, a superb Galileo novel.

 

For other work based on Keigo Higashino‘s writing, see:
11 Moji no Satsujin or 11文字の殺人 (2011)
Broken or The Hovering Blade or Banghwanghaneun Kalnal or 방황하는 칼날 (2014)
Bunshin or 分身 (2012)
Galileo or Garireo or ガリレオ
Galileo 2 or ガリレオ (第2期) (2013) episodes 1 and 2
Galileo 2 or ガリレオ (第2期) (2013) episodes 3 and 4
Galileo 2 or ガリレオ (第2期) (2013) episodes 5 and 6
Galileo 2 or ガリレオ (第2期) (2013) episodes 10 and 11
Galileo: The Sacrifice of Suspect X or Yôgisha X no kenshin (2008)
Midsummer Formula or Manatsu no Houteishiki or 真夏の方程式 (2013)
The Murder in Kairotei or Kairoutei Satsujin Jiken or 回廊亭殺人事件 (2011)
Naniwa Junior Detectives or Naniwa Shonen Tanteida or 浪花少年探偵団 (2012) episodes 1 to 4
Naniwa Junior Detectives or Naniwa Shonen Tanteida or 浪花少年探偵団 (2012) episodes 5 to 8
Naniwa Junior Detectives or Naniwa Shonen Tanteida or 浪花少年探偵団 (2012) episodes 9 to 12
Platinum Data or プラチナデータ (2013)
Thursday Theatre Keigo Higashino Mystery or 東野圭吾ミステリーズ (2012) episodes 1 to 5
Thursday Theatre Keigo Higashino Mystery or 東野圭吾ミステリーズ (2012) episodes 6 to 11
White Night or Baekyahaeng or 백야행 : 하얀 어둠 속을 걷다 (2009)
The Wings of the Kirin or Kirin no Tsubasa: Gekijoban Shinzanmono or 麒麟の翼 ~劇場版・新参者~ (2012)

 

For a Galileo novel, see Salvation of a Saint.

 

Galileo 2 or ガリレオ (第2期) (2013) episodes 5 and 6

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In Galileo 2 or ガリレオ (第2期) (2013), episode 5 takes us in the difficult and enigmatic world of twins. We’re shown twin sisters both engaged in the activity of cooking. One has the television on. The other has a live feed from her husband’s business consultancy seminar. They both hear a noise from outside. One goes into her garden and finds the wind has blown over and broken a plant pot. The other goes into the street but sees nothing suspicious. While she is out, a man breaks into her house. When she comes back in, he hits her on the head with a hammer. Two-hundred kilometers away, the other twin has a terrible pain in her head. She calls her brother-in-law’s assistant and begs him to go round to her sister’s home. When the husband and assistant arrive, they found the sister seriously injured and in a coma.

The twins rule

The twins rule

 

This is great fun because Misa Kishitani (Yuriko Yoshitaka), our detective, now goes all out to get Manabu Yukawa (Masaharu Fukuyama) aka Galileo interested. She wheels sets of twins into the lab to demonstrate a telepathic link or something approximating it. Naturally, while admiring her enthusiasm, the professor is dismissing everything he sees and hears as coincidence and not reliable evidence. Nevertheless he does become energised when the detective says the twin now claims she saw the face of the man who attacked her twin sister. This might be a claim that can be scientifically verified. He first asks the twin if she can draw the face. The result is amusingly childlike. There’s a complete lack of artistic flair on display. It’s a shame no police sketch artist is tried. Nevertheless, the professor engages the husband to find photographs of everyone in their joint lives. When shown these pictures in the hospital room where the twin is lying in a coma, the sister cannot recognise any one as the attacker. But one picture falls off the wall triggering the now traditional flood of scientific writing. As a result, the professor brings the twin sister and her brother-in-law to a lab where he explains a fairly massive piece of equipment as a very sensitive machine to measure brain activity. When the results are inconclusive, he proposes stepping up to the ultimate machine which results in the solution of the case. This is fortuitous because the reputation of our lady detective is slowly going down the toilet as her colleagues now consider her too interested in occult and otherwise supernatural cases. Being able to arrest and charge actual human suspects does help keep her in employment.

 

Episode 6 is a locked room mystery. After meeting online, five women decide to go on a short hiking holiday. They book rooms in a hotel close to a bridge over a deep gorge. The detective is the first to arrive, closely followed by one of the two physicists who work together. This scientist says she’s tired and immediately goes to her bedroom. Later, after the other three women have arrived, her colleague knocks on the door and is seen to try opening it but it is locked. When it comes to the time for eating, her colleague and the detective take a torch and go outside to try her window. But when her colleague shines the torch on the window, the detective can clearly see the window is locked. There’s no reply when they knock on the glass. The following morning, the woman is found dead at the bottom of the gorge. The local police have this down as a suicide but our detective knows just enough science to have caught our the scientist colleague in a lie. This may be a trivial lie, but it makes her suspect the possibility of murder. But since she can’t work out how it could have been done, this means calling in Galileo. Somewhat hilariously, he proves the detectives theory is complete impractical. It’s physically impossible. When Galileo and the detective confront the scientist, she freely admits the lie and has an explanation for it. Since this seems to solve all the problems for Galileo, he leaves our detective chewing on the facts. In the end, she decides to pursue the case despite being warned off by her boss.

 

The precise answer to the problem depends on the scientific work the scientist was doing. It provides the mechanism to make the locked room puzzle complete. It’s not something I would ever have thought of but, now I know, it a modern scientific version of a very old stage trick. It’s impressive to apply such a mechanism in this case. I thought the resolution too easy. Where the explanation for how the crime was committed is completely without evidence in support, you do not expect the accused to literally break down and confess. Although an explanation for this is supplied, I don’t think it very convincing. Nevertheless, this is a novel variation on the locked room mystery and worth watching.

 

For other work based on Keigo Higashino’s writing, see:
11 Moji no Satsujin or 11文字の殺人 (2011)
Broken or The Hovering Blade or Banghwanghaneun Kalnal or 방황하는 칼날 (2014)
Bunshin or 分身 (2012)
Galileo or Garireo or ガリレオ
Galileo 2 or ガリレオ (第2期) (2013) episodes 1 and 2
Galileo 2 or ガリレオ (第2期) (2013) episodes 3 and 4
Galileo 2 or ガリレオ (第2期) (2013) episodes 7, 8 and 9
Galileo 2 or ガリレオ (第2期) (2013) episodes 10 and 11
Galileo: The Sacrifice of Suspect X or Yôgisha X no kenshin (2008)
Midsummer Formula or Manatsu no Houteishiki or 真夏の方程式 (2013)
The Murder in Kairotei or Kairoutei Satsujin Jiken or 回廊亭殺人事件 (2011)
Naniwa Junior Detectives or Naniwa Shonen Tanteida or 浪花少年探偵団 (2012) episodes 1 to 4
Naniwa Junior Detectives or Naniwa Shonen Tanteida or 浪花少年探偵団 (2012) episodes 5 to 8
Naniwa Junior Detectives or Naniwa Shonen Tanteida or 浪花少年探偵団 (2012) episodes 9 to 12
Platinum Data or プラチナデータ (2013)
Thursday Theatre Keigo Higashino Mystery or 東野圭吾ミステリーズ (2012) episodes 1 to 5
Thursday Theatre Keigo Higashino Mystery or 東野圭吾ミステリーズ (2012) episodes 6 to 11
White Night or Baekyahaeng or 백야행 : 하얀 어둠 속을 걷다 (2009)
The Wings of the Kirin or Kirin no Tsubasa: Gekijoban Shinzanmono or 麒麟の翼 ~劇場版・新参者~ (2012)

 

For a Galileo novel, see Salvation of a Saint.

 

In the Morning I’ll Be Gone by Adrian McKinty

March 3, 2014 2 comments

In the Morning I'll Be Gone, Adrian McKinty

In the Morning I’ll Be Gone by Adrian McKinty (Seventh Street Books, 2014) finds Sean Duffy in the final volume of the trilogy set in The Troubles. He’s been through the wringer of being the wrong-shaped peg in a hole not of his own making. A Catholic serving in the police force is never going to win him friends on either side of the sectarian divide, but he shaded the odds in favour of being unacceptable to everyone by breaking all the rules in solving the cases he’s given and never being prepared to apologise for anything he does. At the end of the last book, he was demoted back to uniform. This puts him at the sharp end of policing and, when he happens to be in the wrong place at the wrong time, he’s scapegoated and forced to resign the force. This leaves him at a loose end. The trigger for his official revival goes back to September 1983 when a few prisoners broke out of the notorious Maze Prison. It doesn’t take MI5 too long to link our hero with one of the escapees, Dermott McCann. They were at school together and have some “history” as the republican activist and theoretical urban terrorist. The Brits are not going to pass up the chance that the local man can do what they have so obviously failed to do. So Duffy is reinstated into Special Branch to talk with the families and relatives to see whether he can pick up any clues as to where Dermott has gone. At first there’s nothing but hostility, so Sean does what every respectable police officer would do. He beats up a heavy, threatens to shoot a drug pusher and pimp, burns down a newsagents, and rescues one of the McCann clan from a fate worse than death. He asks for no reward which may be why the IRA may later be less unsympathetically inclined towards him.

Adrian McKinty

Adrian McKinty

The first glimmer of light comes from Mary Fitzpatrick. Dermott married her second daughter and then divorced her when he was taken off into the Maze. A Faustian deal is made. Mary has never believed the death of Lizzie, her youngest daughter, was accidental. If Sean is able to prove to her satisfaction what happened that night, she will tell him where to find Dermott. There’s just one problem. Lizzie was found dead inside a pub that was not only locked but barred from the inside. The police who investigated this locked-room mystery, are convinced the death was an accident. After throwing out the last of the customers, Mary barred the doors, switched off the lights and climbed on top of the bar to change a light bulb. Unfortunately she fell, breaking her neck. The only three people who believe this is problematic are the elderly coroner who did the autopsy, her boyfriend and her mother.

This is a neat authorial trick of piling Pelion on Ossa. When Sean is given something impossible to do, the key to doing it must be the solution of an impossible crime. In this case, the problem is the complete absence of a motive. Although there are always ways in which a locked room situation can be set up, the real question is why anyone would have wanted to produce anything so complicated. The accidental death scenario is so much easier to understand and accept. As is required in books like this, there’s a long wait for the first hint of a motive to emerge, but even then it’s still not obvious why Lizzie should have been targeted. Believe me when I tell you the wait is well and truly worth it. The ultimate explanation of the how and the why of the death are outstanding.

This brings us to the weakest part of the book. By now we’re well into 1984 and those of you alert historians will recall this is the year in which the IRA planted a bomb in the Brighton hotel occupied by Margaret Thatcher. Writing this episode into the book is fair game, but the confrontation between Sean and Dermott is hopelessly contrived. Until I reached this part, I was lining this book up as unlikely to be beaten as the thriller of 2014. It’s such a shame. All the set-up in Northern Ireland and the subsequent investigation of the locked-room mystery is outstanding. Then we have to get the hackneyed ending.

When you put the three books together, The Troubles is one of the best thriller trilogies of the last decade. Despite my being less than enthused by the final confrontation, the quality of the prose remains pitch perfect and the unsentimental dark humour of the people and their political situation make In the Morning I’ll Be Gone a remarkable achievement in producing a plausible outcome for our hero. Incidentally, the next book is a standalone historical mystery called The Sun Is God.

For reviews of other books by Adrian McKinty, see:
The Cold Cold Ground
Falling Glass
I Hear the Sirens in the Street
The Sun Is God.

 

Follow this link for An interview with Adrian McKinty.

 

A copy of this book was sent to me for review.

 

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