Posts Tagged ‘Philip Donlay’

Deadly Echoes by Philip Donlay

March 16, 2014 3 comments

Deadly Echoes 8-6-13 1-page-001

Deadly Echoes by Philip Donlay (Oceanview Publishing, 2014), the fourth novel to feature Donovan Nash, offers me a chance to use a word I can’t remember ever using in a review before. Yes, this is a. . . wait for it. . . a ripsnorting adventure. Now I’m not entirely sure what gas emerges from the rip but, when you snort it, it gives you extraordinary vigour as a reader. Why use the word here? Well, there are times when you read a book and you wonder how the author can make the situation ever bigger and more over the top. Well this book is one possible answer to that question. To give you but one example. In The Winter’s Tale, Shakespeare fell back on the then tried and trusted stage direction. If events have been slowing down and you can’t think of anything witty to say, have your characters chased off the stage by a bear. That was guaranteed to produce hilarity and vast applause from the pit audience. Well, in this book, if you’re not paying attention, the confrontation and pursuit involving a bear is almost gone before you have a chance to register it. Yes, the classic Shakespearean device has been relegated to a few lines as our hero fights his way from start to finish.

Does it all depend on “him”? I hear you ask. Well, our hero may be good in the flying, and fighting, and shooting, and the hanging from helicopters, and other stunts you would probably want to ask the stunt double to do should this ever be planned for the cinema. But when it comes to saving the Earth (well, perhaps only Alaska, parts of Canada and a few of the northern US states), you have to turn to his wife. Yes, this is a partnership effort. Although their marriage may be going through a rough patch, what with assassins trying to kill her and their child, she’s the one with the brains. When it comes to seeing the big picture and envisaging how the impossible solution might become possible, she’s the one to get the scenario from the planning stage to the go-decision in the shortest possible time. No, this is not science fiction in the literal sense of the words. Think science possible if you close one eye and squint through the other. Then it all becomes perfectly possible and entirely plausible.

Philip Donlay

Philip Donlay

Did I mention all the shooting and fighting? There’s a high body count by the time we’re finished.

So this book follows on from Zero Separation. This gives me a major advantage because I know who everyone is and how the whole backstory fits together, Had I not read that, I suspect I would be feeling fairly lost and not a little frustrated since this is one of those revenge thrillers in which a figure from our hero’s past re-emerges to a fanfare of bullets and dismemberments. Do I like these people any better than I did the last time around? Well, we’re not given a great deal of time to worry about that because once the action starts, it keeps going at a ferocious pace. But the answer is, “Not really.” Everything that happens in this book is deeply complicated by the threat to disclose our hero’s real identity. Everyone “in the know” has to lie to the CIA, the FBI, Mossad, Interpol and local law enforcement agencies in the US and France. As a hook, the continuous threat for our hero to be revealed is not the most attractive. In other books where our protagonists are living off the grid, there’s usually an explanation to engage our sympathies, to encourage us to root for them as the forces of the law swirl around them. But this lot just want to keep the money and avoid going to jail. Hardly the most laudable of motives no matter how much good they may be doing through their organisation.

This all leaves me feeling somewhat ambivalent. As with the last book, this has a gonzo terrorism climax. In fact, it’s the kind of scenario Hollywood would enjoy doing with full CGI effects. I suppose the extravagance of it all wins me over. This is not just a few punches thrown and an explosion or two. This is non-stop action featuring a lot of flying, something our author knows a lot about. So if you do decide to come on this ride, be prepared for not just a hail of bullets — there’s a positive blizzard blowing through the book. A few are wounded and many die. Some of the deaths would have been quick. Others are designed for their shock value. Deadly Echoes certainly exceeds the average wow factor in terms of thriller plot. If only the lead characters were more likeable, I would be strongly recommending this. As it is, I suggest you read Category Five, the first in the series, to see whether you are hooked by the situation to make you want to read through to this point. If you are sufficiently tuned in and are rooting for these people, this will certainly hold your attention as the pages flash by in full page-turner mode.

For a review of another book in this series by Philip Donlay, see Zero Separation.

A copy of this book was sent to me for review.

Zero Separation by Philip Donlay


No-one can be sure who first said it, but the advice, “Write what you know.” tends to be associated with Mark Twain. The underlying point of this potentially sage advice is that writers can inspire their readers by their knowledge and enthusiasm for a given subject. Of course, it’s entirely possible that an enthusiast may drone on interminably, assuming the readers will be equally interested in every last detail. Alternatively, the writer may have become a little bored with the material through long association and transmit that boredom to the reader. With those caveats, it usually works out well in a novel aiming for some degree of realism. Credibility comes when the facts are accurate and the detail lovingly described. This author was a pilot until forced to retire by ill health. This loss was depressing. Now, when he writes about flying, he seems to come to life again.

My immediate problem in reading Zero Separation by Philip Donlay (Oceanview Publishing, 2013) is not knowing who anyone is. This is the third book to feature Donovan Nash who seems to dice with death on a regular basis, flying into a hurricane in the first book and trying to land a heavily damaged airliner in the second. For once, I find the structure of the book unhelpful. Usually the author inserts enough information as we go along so that the reader will not be taken by surprise when obviously important characters have more to them than at first sight meets the eye. A further slightly strange element is that we’ve already been through two books and only now come to the major part of Donovan Nash’s backstory. Without having read the previous two novels, I can’t say why all this never came up before but, with an inner circle only too aware of his previous identity, you would think some of this would have been discussed — perhaps it was.

Philip Donlay — his expertise on flying shines forth

Philip Donlay — his expertise on flying shines forth

Anyway, this is all speculative and not relevant to the main business of reviewing this book. I can’t say I like many of the people on display. Not of course that readers are expected to like the characters in a book. We’re all familiar with the idea of the anti-hero. Nor am I predisposed to dislike the supremely wealthy simply because they are rich. But I worry their wealth distorts their values. Here’s a man who gets into trouble and, instead of toughing it out, stages his own death and goes through reconstructive facial surgery. Naturally, he keeps all his money. So the plan calls for him to crash a plane. This must give rise to a false claim on the insurance policy covering loss of the company asset. It would look all wrong if no claim was made. Naturally he’s declared dead. Almost certainly, this would trigger multiple false claims on life insurance policies. He would be covered both as an individual and as a key man in his company. By any standards, this makes him a coward in running away and a fraudster of epic proportions in hiding all his wealth and creating a false identity that enables him to use the money, including the death benefits, after he’s been declared dead. There may also be multiple offences committed in relation to tax and estate duty. Of course, several others are involved in this criminal conspiracy. Curiously none of them seem to have a strategy for running away should the scam be disclosed. Only our hero and his wife have devised a bolt hole with new identities and some of, if not all, the money. That leaves the others to go to jail and the state to confiscate as much of the money and assets as it can find in civil and criminal penalties. As I say, none of these people have praiseworthy values.

As to the rest of the book, it’s easy to crystalise why I find it deeply unsatisfying. The previous two books deal with a pilot who has to use his skills in situations growing out of the accident of where he happens to be. Anyone with piloting experience who is on an aeroplane when the pilots are seriously injured or killed would have to take over and try to land. We overlook the coincidence it just happens to be our hero who gets the chance to star and let him get on to save the day. But this is slightly different and the difference is critical. As is always required, he’s in the wrong place when an aeroplane is stolen. That’s just bad luck and, in almost every case, he would be sent off home. But an FBI agent blackmails him into helping her track down who might be responsible. OK so here’s my problem. Ever since 9/11, there has been paranoia about people in a position to crash aeroplanes on to population centres. Consequently all professional pilots go through intensive screening which, not unnaturally, includes fingerprinting and criminal background checks. I find it inconceivable that this man could have avoided detection by the Department of Homeland Security, the Transport Security Administration and every other agency with an interest in keeping American airspace safe. That this lowly FBI agent can immediately identify our hero from a partial print when no-one else has noticed this individual didn’t exist twenty years ago is absurd.

I could go on dismantling the plot but, from this brief sample of analysis, you have an insight into the problems. Under normal circumstances, I would dismiss this book as completely worthless. Indeed, a few passages jar with slightly awkward word selection. But I come back to the last quarter of the book which, as a thriller, is excellent. Applying Mark Twain’s advice, Philip Donlay writes in a different class when he writes about flying. He knows the business and this sequence is ingenious to say the least. Even the final scenes on the ground maintain the high standard to a satisfying conclusion to the thriller element. So Zero Separation, for a host of reasons, has zero credibility as a plot set-up but manages to finish with a magnificent flourish.

For a review of the next in the series, see Deadly Echoes.

A copy of this book was sent to me for review.

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