Jewels in the Dust by Peter Crowther
For this review of Jewels in the Dust by Peter Crowther (Subterranean Press, 2013) I’m going to break my usual convention which is to write brief notes on the stories in the order they are printed. I think it will give you a better understanding of the collection, if I group the comments on the stories together by genre or theme.
“The Bachelor” is an elegant story to read alongside “Old Delicious Burdens”. Both are concerned with the nature of memories that can haunt us, and remind us of times as they used to be. Thematically, we’re not quite into the idea of ghosts as nostalgia. But if our characters are the sum of all the life experiences we can remember, ghosts may revisit when we grow forgetful. Of course, some of the events or sensations we might choose to forget. They are painful and might frighten us if we came across them unexpectedly. Others simply lack the salience to stay fresh in the memory bank. They fade as we age. So an old lonely man might be sustained by the ghosts of happy days past. A warring couple might reconcile if they realised the wealth of happiness they had enjoyed when younger and more innocent. This is not to say either story is sentimental. . . “Things I Didn’t Know My Father Knew” develops the theme by having the ghost of a father dead some twenty-seven years, return to talk with his son. This is a pleasingly atmospheric story that prompts us to ask what it might be important to remember about our childhood and, if we had the chance, what we might say to our parents after so many years. For example, if memory of the nickname cruel “friends” had given us when young, was refreshed, would that change us in any way? Would we feel less angry at our parents for giving us that unfortunate name at birth? Would we want to say we loved our parents, even though that might not be completely true?
“The Fairy Trap” is about the innocence of youth which might induce two boys to suspend disbelief long enough to help an old man in his efforts to trap a fairy. “Dei Gratia” (with Simon Conway) is a fascinating idea story. Let’s say, for a moment, that there’s a natural cycle in operation. We’re born, live here for a while, and then cycle to Heaven or Hell. Modern medicine has been seriously interfering with this for some time. If God had been expecting an influx of souls and suddenly found himself short, what would he do? Continuing in the same vein, we have “Circling the Drain” (with Tracy Knight) which wonders about personal fulfillment. As an individual, would we feel less unhappy at the prospect of dying if we had had children? Here’s a man in late middle age who suddenly only has a month or so to live. If he resists dying, how could he prove to himself and his wife what a good father he would have made? “Breathing in Faces” is a terrific novelette following in the footsteps of The Circus of Dr Lao by Charles G Finney. A petulant girl and her BFF explore the midway. As you might expect, the pushy one will just not be told to leave well enough alone. She will insist on going into the tent. The rest, as they stay, is all about gathering speed as momentum accelerates the reader down the slope. This is a beautifully sustained piece of horror suspense writing. Equally impressive is “Tomorrow Eyes”. The idea is not original but this is a beautifully worked variation on the theme as a compassionate man takes pity on a haunted man to make the right decision. “The Doorway in Stephenson’s Store” is a time travel story that flirts with sentimentality and avoids excess given that it proves to be a kind of moral message. I confess I’m always partial to a little travelling through time and this is particularly ingenious, focusing on the characters of the people involved rather than the mechanics.
“Boxing Day”, “The Musician of Bremen, GA” and the titular “Jewels in the Dust” are straight stories. The first deals with the decision of a not unsuccessful criminal whether to continue in the trade or settle down with his wife to raise cats. The second maps the life of a truly gifted jazz musician who joins a group only to find two of the players are committed to a life of crime. While the third offers positive advice on how to accept the prospect that every new day may be your last. All of which leaves me with the final story in this rather admirable collection. “Thoughtful Breaths” manages to combine everything good about the art of storytelling. It introduces us to the characters and gives us time to get to know and understand them. Then it begins to weave its magic. Now “magic” is a word, for better or worse, that tends to be associated with fantasy. No, wait, I’m confusing the story-telling with the story itself. That will never do. So what exactly is it I want to say about this final piece? I suppose I’m referring to the wish of one character, out of love, to create the appearance of magic for the others. Just as the author, out of love, creates magic for the readers. In a way, the theme of this collection is death. Not necessarily in an unhappy or negative spirit. Rather we’re given the chance to celebrate the phenomenon and appreciate the potential for redemption on the part of some, and rehabilitation for others. As an older reader who’s already had one close brush with death, I find Peter Crowther’s work pleasingly unsentimental and, in a secular sense, quite inspirational. I unhesitating recommend this collection to you.
The jacket artwork from Les Edwards is particularly fine.
A copy of this book was sent to me for review.