The Light is the Darkness by Laird Barron
I need to begin this review of The Light is the Darkness by Laird Barron (Infernal House, 2011) by clarifying my thoughts on the relationship between the work of Laird Barron and what we may properly call pulp fiction — the stories I used to read when young rather than the film bearing that name. I suppose this form of writing got started in the penny dreadful/dime novel style of the late Victorian era and then really took off as the reading opiate of the masses when cheap wood pulp paper became available for use on efficient printing presses. During their heyday in the 1920s and 30s, it was not unusual for each magazine issue to sell one-million copies. Once austerity kicked in because of WWII, the pulp magazine era was in decline and more seriously began to peter out some time in the 1950s. Of course pulp-style novels in volume persisted into the 1960s but, then, for better or worse, the era of modern publishing was upon us. I start with this brief history because pulp represents a vast legacy of ideas and writing talent. No matter what we may choose to think of the bulk of the output, some authors produced work that deserves to be remembered. Relevant to this particular book, we have H P Lovecraft and those who have sustained the Mythos over the generations, and the hard-boiled or noir approach to crime fiction.
Putting the supernatural to one side for a moment, the essence of pulp has always been the struggles of the laconic tough guy. Whether we’re dealing with a PI or just someone with an axe to grind, there’s usually a quest of some kind. Our hero is sent off to find the girl or recover lost property. On the way, he encounters various dangers which he survives with stoic resolution. When the dust has settled, there’s not always a “happy ending”. Our hero usually avoids being locked up for the mayhem and death that have attended his progress towards whatever grail he was seeking. Sometimes he buys his freedom by giving enough information to the police to arrest some of the criminals who deserve punishment. Whatever the outcome, there’s a rough kind of justice in operation which, perhaps surprisingly when the future of the human race is at stake, does not involve the hero getting the girl. Romance and procreation were never an element in those rather more cynical days. The upshot of this approach to plot creation is to give readers an introduction to a lifestyle which has danger built in. At every point, our hero is likely to find himself in a fight — if he’s unlucky, the first he knows is a blow to the head with a sap. As compared to the lives of ordinary citizens, nothing matches their normal expectations, e.g. the people he meets are somehow more exotic. Often they come with wealth oozing out of every pore, but that’s just a symptom of a malaise hanging over each family. There are always black sheep who leave the patriarchs helpless. These kin groups may think the money has bought them happiness, but that nearly always proves an illusion.
So in The Light is the Darkness, we have a young man who, from an early age, has been trained as a kind of modern day gladiator by an unusually rich man. His parents died in unusual circumstances. His mother committed suicide. His father died in a mental hospital. When we first encounter him, he’s trying to find his sister. She’s actually on a quest of her own and has gone missing. Her trail is confusing and, were it not for her habit of leaving him small caches of information to find, he would have given up the search a long time ago. Now he has new information, he’s more confident of making progress. All he needs is the money to fund his pursuit. This means another high stakes fight. Up to this point, this could all be a modern recreation of some standard pulp tropes. Substitute a boxer who’s worried about his missing sister and you have a hundred magazine stories to compare this with. Except, of course, that’s a fundamentally unfair thing to do. Most pulp is unreadable by modern standards. Laird Barron writes rather beautiful prose which delivers nicely complex puzzles for us to solve. In this novel, we want to know more clearly what his parents were doing, how and why his older brother died, what gives our hero his rather curious physical abilities, and why his sister is so obsessed by tracking down the doctor who treated their brother.
The answer to these and other questions means we cross over into supernatural territory. The world inhabited by our hero was never safe. It’s just he never quite realised how unsafe it was nor what the source of the danger actually would prove to be. All such noirish heroes can ever do is push ahead and hope for the best. When hope is wearing thin, he still keeps going because that’s what loyal brothers do when searching for their lost sisters. This answers when they come sidestep the more obvious Lovecraftian tropes but still retain a cosmic element. This proves to be a very elegant riff on an old theme but it’s so cunningly reconstructed, it comes across as pleasingly original. To paraphrase the old idiom, it never occurred to me revenge could be a dish taking quite so long to cool. Taken all together, this is Laird Barron at the top of his game with a delightfully constructed noir supernatural tale of a sometimes punchy hero struggling against the odds to find his lost sister.
For reviews of other books by Laird Barron, see:
The Beautiful Thing That Awaits Us All
The Croning
Occultation
I’ve also interviewed him here.
Recent Posts
- The Murder in Kairotei or Kairoutei Satsujin Jiken or 回廊亭殺人事件 (2011)
- A Billion Ways to Die by Chris Knopf
- Broken or The Hovering Blade or Banghwanghaneun Kalnal or 방황하는 칼날 (2014)
- Disclosures by Bill James
- Godzilla: Final Wars or ゴジラ ファイナルウォーズ (2004)
- Stalked: The Boy Who Said No by Patti Sheehy
- Innocence by Dean Koontz
- The Scarlet Tides by David Hair
- Death on Blackheath by Anne Perry
- Elective Procedures by Merry Jones
Categories
Archives
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- January 2010
- September 2009
- August 2009
- July 2009
- June 2009